TITLE |
AUTHOR |
EDITION |
J.W. Pepper's complete catalogue |
Pepper, J.W. |
J.P. Pepper, 1909 |
The perforation of music rolls |
Leo. F.B. & Dolge, R. |
Leabarjan, 1919 |
The Aeolian Pipe-Organ |
not specf. |
Aeolian, 1902 |
Windsor, Pianos and Player Pianos |
not specf. |
Montgomery, 1919 |
Player piano pointers |
Keeley, Wl. |
Autopiano, 1917 |
Keys to a musical past |
Roehl, H.N. |
Vestal, 1968 |
Tuning, Care & Repair of Reed & Pipe Organs |
Bryant, N. |
Bryant, 1968 |
Inspector's instruction book |
not specf. |
American Piano Co. 1919 |
Questions and Answers |
not specf. |
S.P.A. Co. |
Player Piano Pointers |
Keeley, J.Wl. |
Keeley, 1917 |
Principles of Player Piano Operation |
not specf. |
Standard Player Piano Co. |
Musical accompaniment of moving pictures |
Lang E. & West G. |
Boston Music co., 1920 |
Abridgments of specifications (patents) 1867,76. |
not specf. |
Darling & Son, 1904 |
Rebuilding the Player Piano |
Givens, L. |
Vestal, 1963 |
AMPICO Reproducing Piano, service manual |
not specf. |
Ampico, 1929 |
Inspector's instruction book, 1919, 1920 |
not specf. |
Ampico, 1919 |
The New Musical Notation |
Godjevatz, V. |
Author, no year |
1974-75 Player piano catalogue |
Player Piano Co. |
Player Piano Co., 1974 |
Orchestrion Katalog (german) |
not specf. |
Popper & Co. 1908-09 |
The science of drumming |
Kupra, G. |
Rowland, 1946 |
Cabinet organs catalogue |
not specf. |
New England organ Co. |
How to use the Stroboconn in piano tuning |
not specf. |
Conn Ltd., 1948 |
A Technical Treatise on Piano Player Mechanism |
White, WM. B. |
Lyman, 1908 |
Tuning as Science and Art |
White, WM. B. |
Lyman, 1909 |
The Player Piano, an historical Scrapbook |
Rohel, H. |
Century House, 1958 |
Player Piano Treasury |
Rohel, H. |
Vestal, 1961 |
The pianolist, a guide for pianola players |
Kobee, G. |
Moffat, 1907 |
Piano Playing Mechanism |
White, WM. B. |
Lyman, 1925 |
The Player Piano Up to Date |
White, WM. B. |
Lyman, 1914 |
The Mechanical Music Cabinet |
Wendel, S. |
Harenberg, Germany, 1984 |
L'art de toner les Cylindres |
not specf. |
Delaguette, MDCCLXXV |
Organische und Mechanische Musik |
Bekker, P. |
Deutche
Verlags-anstalt sttutgart, 1928 |
The Player Pianist |
White, WM. B. |
Lyman, 1910 |
Le Piano Mecanique |
Goudman, S. |
Fischbacher, Paris, 1914 |
Mechanical Piano-players |
Ashton, G.C.J. |
not specf., 1915 |
Handbook of the Arcadian player Action |
not specf. |
The British layer Action Company, Ltd. |
The Art of the Player Piano |
Grew, S. |
Kegan, London, 1922 |
Practical Instructions for the Regina M. Boxes. |
not specf. |
not specf. |
The Piano-player and its Music |
Newman, E. |
Grant Richards, London, 1920 |
Tuning and Temperament |
Barbour, M. |
Michigan, 1953 |
Scientific Piano Tuning and Servicing |
Howe, A.H. |
Howe, 1947 |
Piano tuning, Regulating & Repairing |
Fisher, C.J. |
Theodor Presser, 1907 |
Theory and Practice of Pianoforte Building |
White, Wm.B. |
Lyman |
Scientific piano tuning and servicing |
Howe, A.H. |
Howe, 1941 |
Piano tuning and allied arts |
White, Wm.B. |
Tuners Suipply Co., 1946 |
Some Reminiscences and the Bagpipe |
Duncan F.A. |
Hay, MDCCCCVII |
The Harp |
Rensh R. |
Philosophical Lib., 1950 |
The Bowed Harp |
Andersson. O. |
Reeves, London, MCMXXX |
The Story of the Bagpipe |
Grattan, F. Wm. H. |
Walter, 1911 |
La Gaita Gallega |
Cobas Pazos |
Porto, Espana, 1955 |
The sources of Keyboard Music in England |
Van Den Borren, Ch. |
Novello, London, 1913 |
Essay on the true art of Ply. Kyb.Instrum. |
Bach, C.Ph.E. |
Norton, 1949 |
An Amateur at the Keyboard |
Yates, P. |
Pantheon, 1964 |
Les Pianistes Celebres |
Marmontel, A. |
Paul Bousrez, 1887 |
Pianos, pianists and sonics |
Briggs, G.A. |
Wharfedale, England, 1951 |
The Physiological Mechanics of Piano Technique |
Ortmann, O. |
Dutton, 1962 |
Notes on the Piano |
Bacon, E. |
Syracuse, 1963 |
Las formas Pianisticas |
Pedrell, F. |
Union Muiscal Espanola, no year |
The Art of Pedaling |
Geghard, H. |
Franco Colombo, 1983 |
History of the Piano Forte |
Brinsmead, E. |
Novello, London, MDCCCLXXIX |
How the Piano Came to Be |
Glover, E.H. |
Beowne, 1913 |
The Pianoforte and its Music |
Krehbiel, H.E. |
Murray, 1911 |
The Romance of the Piano |
Blom, E. |
Foulis, London, no year |
History of the Pianoforte |
Spillane, D. |
Spillane, 1890 |
Histoire du Piano |
Closson, E. |
Edit. Univ., Belgium, 1944 |
Primer gran catálogo de A. Wagner y Levien |
not specf. |
Wagner, 1886 |
Pianos and their Makers |
Dolge, A. |
Covina, 1913 |
Le Piano (La reveue Internat. de Mus.) |
Many |
RIM, 1939 |
The Modern Piano |
Nadler, L.M. |
Musical Opinion, London, no year |
Das Klavichord |
Neupert, H. |
Barenreiter, no year |
Harpsichord Music |
Kenyon, Max |
Cassel, 1949 |
Tschudi, the harpsichord maker |
Dale, W. |
Constable, London, 1913 |
The Harpsichord |
Schneider, E.H. |
Kassel, Basel, 1960 |
Il primo libro d'intavolatura di balli d'arpicordi |
Maria R. |
Heffer, 1949 |
Three Centuries of Harpsichord Making |
Hubbard, F. |
Harvard, 1965 |
The Harpsichord and Clavicord |
Rusell, R. |
Faber & Faber, London 1959 |
Histoire de la Boite a Mus. et de la Mus. Mecani. |
Chapuis, A. |
Scriptar, MCMLV |
A guidebook of Automatic Musical Instruments |
Bowers, Q.D. |
Vestal, 1967-68 |
The book of the piano |
Gill, D., edit. |
Phaidon-Oxford |
Automatic Musical Instruments 1580-1820 |
Haspels, J.J. |
Nirota, no year |
The Piano |
Wier, A. |
Longmans, 1940 |
Michel's Piano Atlas |
Michel, N.E. |
Pierce, 1961 |
Rítmica, Dinámica, Pedal |
Leimer, K. |
Ricordi, 1938 |
Early keyboard instruments |
James. Ph. |
P.Davies, 1930 |
Piano Pedaling |
Riefling, R. |
Oxford, 1962 |
Duo-Pianism |
Moldenhauer, H. |
Chicago musical College, 1950 |
The Lives of the Piano |
Gaines, J.R., et al |
Harper, 1981 |
Historical Pianos |
Michel, N.E. |
Michel, 1963 |
Illustrated cat. of Piano Forte Actions |
not specf. |
Wessel, 1893 |
Catalogue of Alfred Dolge, 1869-92 |
Dolge, A. |
Dolge, 1869 |
Das Klavier |
Bie, O. |
Cassirer, Berlin, 1921 |
The Pianoforte |
Sumner, W.L. |
Macdonald, London, 1966 |
The great Pianists from Mozart to present |
Shonberg, H. |
Simon & Shuster, 1963 |
Men, Women and Pianos |
Loesser, A. |
Simon & Schuster, 12954 |
The Pianoforte |
Harding, R.E.M. |
Cambridge, 1933 |
The book of Complete Information About Pianos |
Wing & Son |
Wing & Son, 1897 |
El Piano |
Casella, A. |
Ricordi |
L'emotion musicale et le piano |
Delpech, A. |
Leclerc, 1916 |
Mechanical musical instruments |
Buchner, A. |
Barchwoth, no year |
The organ |
Sumner, Wm.L. |
Philosophical Lib. 1952 |
The Organ of the Ancients |
Farmer, H.G. |
Reeves, MCMXXXI |
Manual del organista |
Riemann, H. |
Labor, 1929 |
The Electric Organ |
Whitworth, R. |
Musical Opiunion, Ltd., 1948 |
The Contemporary Organ |
Barnes, Wm.H. |
Fischer, 1937 |
The Story of the organ |
Williams, C.F.A. |
Walter Scott, 1916 |
Influence of the Organ in History |
Buck, D. |
Reeves, no year |
Mechanische Musikinstrumente fruherer zeiten und ihre musik |
Simon, E. |
Breitkopf, 1960 |
Les Instruments de Musique du XXe Siecle |
Gratia, L.E. |
Heugel, 1931 |
Die Tontechnik des Pere Engramelle |
Schmitz, H.P. |
Barenreiter, Germany |
Musical Boxes |
Clark, J.E.T. |
Cornish, no year |
Antique Automatons |
not specf. |
A la Vielle Russie inc., 1950 |
Mechanische Musik-instrumente |
Protz, A. |
Barenreiter, Germany, 1939 |
From Music Boxes to Street Organs |
Waard, R. |
Vestal, 1967 |
Church and Chamber Barrel-Organs |
Noel B.C., et al |
Lyndesay, 1967 |
The Fairgroud Organ |
Cockayne, E.V. |
David & Charles, 1971 |
Re-Enacting the Artist |
Givens, L. |
Vestal, 1970 |
Musica y maquina |
Prieberg, F.K. |
Zeus, Espana, 1964 |
The cylinder musical box handbook |
Weeb, G. |
Faber & Faber, 1968 |
Music Boxes |
Hoke L., et al |
Hawthorn Books, 1957 |
The Fair Organ-How it Works |
Coickayne, E.V. |
Fair Organ P.S., 1966 |
History of Music Machines |
not specf. |
Smithsonian I. |
Put Another Nickel in |
Bowers, Q.D. |
Vestal, 1966 |
Collecting Musical Boxes |
Ord-Hume, A.W.F.G. |
Crown, 1967 |
La musique mecanisee, in POLIPHONIE, rev. music. trimestrale |
many authors |
Richard-Masee |
The Tratise of Al-Jazari on Automata. |
Coomaraswamy, A.K. |
Museum of Fine Arts, Boston MCMXXIV |
A Pictorial History of the Caurousel |
Fried, F. |
Barnes, 1964 |
Les Automates |
Chapuis, A., et al |
Griffon, France |
Le Monde des Automates |
Chapuis, A., et al |
Chapuis, 1928 |
The curious history of music boxes |
Mosoriak, R. |
Lightner, 1943 |
Les automates dans les oeubres d'imagination |
Chapuis, A. |
Du griffon, 1946 |
Player piano |
Ord-Hume, A. |
Allen, 1970 |
Encylopedya of automatic musical instruments |
Bowers, D. |
Vestal, 1972 |
Theory of earing |
Wever, E.R. |
Wiley and Chapman, 1949 |
The sciennce of musical sounds |
Miller, D.C. |
Macmillan, 1937 |
Acoustics for musicians |
Buck, P. |
Oxford, 1938 |
Sound and music |
Taylor, S. |
Macmillan, 1873 |
Harmonics or the philosophy of musical sounds |
Smith, R. |
Cambridge, MDCCXLIX |
Radio sound efects |
Creamer and Hoffmnan |
Ziff-Davis, 1945 |
20 stepos to perfect amplification |
Shaney, A.C. |
Amplifier Co. 1947 |
How to make a good recordings |
not specf. |
Audio devices |
Grabacion y reproduccion de discos |
Lowe, J.J. |
Klug Marchino, 1945 |
Music in radio broadcasting |
Fisher S. & Potter R. |
McGraw Hill, 1946 |
Geting the most out of your tape recorder |
Burstein, H. |
Rider, 1960 |
Tape recorders and tape recordings |
Weiler, H. |
Radio Magazines, 1956 |
Home book of recorded music and sound reproduction |
Canby, E.T., et al |
Pretice hall |
Make music live |
Greene, I., et al |
Medill Mcbride, 1951 |
Sound effects |
Turnbull |
Rinehart, 1951 |
The recording and reproduction of sound |
Read, O. |
Howard, 1949 |
The power of sound |
Gurney, E. |
Smith Elder, 1880 |
Trumpets, horns and music |
Barbour, M. |
Michigan, 1963 |
A bibliography in audition |
not specf. |
Harvard, 1950 |
The journal of the ascoustical society of america 1-10 |
not specf. |
A.S.A., 1939 |
The journal of the acoustical society of america, 11-20 |
not specf. |
A.S.A., 1949 |
Sound |
Richardson, E.G. |
Longmans, 1927 |
Vibration and sound |
Morse, Ph. M. |
McGraw Hill, 1948 |
Noise and vibratrion engineering |
Slocum, S. |
Nostrand, 1931 |
Acoustics of buildings |
Watson, F.R. |
Wiley, 1941 |
Music, acoustics and architecture |
Beranek, L. |
Wiley, 1962 |
Planing for good acoustics |
Bagenal, H et al |
Dutton, 1931 |
Architectural acoustics |
Knudsen, V. |
Wiley, 1932 |
Sound and music |
Zahm, J.A. |
McClurg, 1892 |
Collected papers on acoustics |
Sabine, W.C. |
Harvard, 1927 |
On the sensations of tone |
Helmholtz, H. |
Longmans, 1912 (fourth edit.) |
Le son et la musique |
Blaserna, P. & Helmholtz H. |
Germer, 1877 |
Les mathematiques et la musique |
Fokker, A.D. |
LKa Haye, 1947 |
L'art musical dans ses rapports avec la physique |
Becqerel, J. |
Hermann, 1926 |
The musicians arithmetic |
Meyer, M.F. |
Ditson, 1929 |
Sound |
Watson, F,R. |
Wiley, 1935 |
Visible speech |
Potter, R.K., et al |
Nostrand, 1947 |
Elements of acoustical engineering |
Olson, H.F. |
Nostrand, 1947 |
Acoustics of music |
Bartholomew, W. |
Prtentice hall, 1942 |
La musique renovee |
Pruvost, P. |
SFDLT, Paris, 1931 |
Waves |
Coulson, C.A. |
Oliver, 1944 |
Sound |
Jones, A.T. |
Nostrand, 1942 |
A texbook of sound |
Wood, A.B. |
Macmillan, 1941 |
Introduction to the phisics and psychophysics of music |
Roederer, J. |
English universities, 1974 |
Orchestral instruments and their use |
Elson, A. |
Page, 1902 |
Glenn Gould, music and mind |
Payzant, G. |
Key Porter, 1982 |
Gleen Gould Variations |
McGreevy, J. |
Quill, 1983 |
Manuale storico del violinista |
Branzoli, G. |
Venturini, 1894 |
Musical nationalism (north-american composers) |
not specf. |
Greenwood, 1983 |
Musical delights |
Thomsom, J.M. |
Thames and Hudson, 1984 |
De Gong-fabticantie te semarang |
Jacobson, E., et al |
Boeckhandel, 1907 |
Internationales archiv fur ethnographie |
Boas, F., et al |
Brill, 1939 |
Instr. of the modern orchr. & early records of the perc.fam. |
Schelsinger, K. |
Reeves, MCMX |
Fuhrer durch die violinliteratur |
Meyer, F. |
Boswoth, 1910 |
Uber studium und Unterricht im geigenspiel |
Scholz, R. |
Breiotkopf, 1905 |
Italian Varnishes |
Fry, G. |
Stevens, 1904 |
The stringed instruments of the middle ages |
Panum, H. |
Reeves, no year |
The history of the violin |
Sandys, W. et al |
Rusell, 1864 |
Thew violin, how to make it |
not specf. |
Ditson, no year |
History and contruction of the violin |
Foucher, G. |
Shore, 1897 |
Instruments modern orchtr.& early rec.ofthe precursor family |
Schlesinger, K. |
Reeves, MCMX |
Drum method |
Kupra, G. |
Robbins, 1938 |
The science of druming |
Kupra, G. |
Robbins, 1946 |
Percussion symposium |
Firth, V. |
Fischer, MCMLXVI |
Percussion ensamble method |
Holloway, A.R., et al |
Brown, 1961 |
Coleccion de metodos para bandas y charaguas |
Pares, G. |
Lemoine, 1899 |
Rhythms of latin-america |
Marquez, R., et al |
Marquez, 1950 |
Timpani method |
Friese, A. |
Adler, 1954 |
Latin-american rhythm inst. & how to play them. |
Morales, H. |
Kar-val, 1949 |
Musical instruments |
Engel, C. |
SDcribner, 1876 |
The making of musical instruments |
Young C. |
Oxford, 1939 |
Kleiner katalog der sammlung alter musikinstrumente |
Kinsky, G. |
Breitkopff, 1913 |
The brass band and how to write for it |
Vincent, Ch. |
Winthrop, 1908 |
Storia degli strumenti musicali |
Bonaventura, A. |
Livorno, 1908 |
Strumenti e strumentazione |
Galli, A. |
Zonzogno, 1897 |
Le polycorde |
Giraud, F. |
Schott, 1884 |
L'orchestra |
Malipiero. F.G. |
Zanichelli, 1920 |
A textbook of european musical instruments |
Galpin, F.W. |
Dutton, 1937 |
The orchestra |
Carse, A. |
Chanticleer, 1949 |
Moulton church ant its bells |
Madge, S. |
Elliot Stock, 1895 |
English bells and bell lore |
North, Th. |
Mark, 1888 |
The bell |
Gatty A. |
Bell, MDCCCXLVII |
Glockenkunde |
Mahrenholtz, Ch. |
Barebreitrer, 1948 |
Supplement to the Church bells of devonshire |
not specf. |
not specf. |
Bells of the isle |
Major, B. |
Crowther, no year |
Bells and bell ringing |
Coleman, S.N. |
Jhon Day, 1938 |
A book about bells |
Tyack, B.A. |
Andrews, 1898 |
Tintinabula |
Morris, E. |
Robeertr Hale, 1959 |
The book of bells |
Coleman, S. |
Jhon Day, 1938 |
The history and art of change ringing |
Morris, E. |
Chapman, 1931 |
Practical remarks on berlfries and ringers |
Ellacombe, H.T. |
Bell and son, 1878 |
Legends of the bells |
Morris, E. |
Sampson, no year |
Carrillons of Belgium and holland |
Rice, Wm.G. |
John Lane, 1914 |
Carrillon |
Bigelow, A.L. |
Princeton, 1948 |
Carrillon music and singing towers [...] |
Rice, Wm.G. |
Doddf, 1925 |
The Carrillon |
Price, F.P. |
Oxford, 1933 |
Chimes and electronic carrillon |
Perry, P.D. |
John Day, 1948 |
Old english instruments of music |
Galpin, F.W. |
Mcclurg, 1911 |
A dictionary of old english music |
Pulver, J. |
Kegan Paul, 1923 |
The concert band |
Goldman, R.F. |
Rinehart, 1946 |
The orchestra |
Carse, A. |
Heffer, 1940 |
The orchestra from Beethoven to Berlioz |
Carse, A. |
Cambridge, 1948 |
Bach's orchestra |
Terry, Ch.S. |
Oxford, 1958 |
Origine des instruments de musique |
Schaeffner, A. |
Payot, 1936 |
Histoire des instruments de musique |
Brancour, R. |
Laurens, 1921 |
Les musiques bizarres a l'exopsition de 1900 (madagascar) |
Gauthier, J. |
Enoch, 1900 |
Les musiques bizarres a l'exposition de 1900 (Javanese) |
Gautier, J. |
S.E.L.A., Paris, 1900 |
The evolution of modern orchestration |
Coerne A. |
Macmillan, 1908 |
The castasnets and how to play them |
Tsoukalas, N. |
Tsoukalas, 1930 |
Haendel's ketteldrums and other papers on military music |
Farmer, H.G. |
Hinrichen, 1950 |
The marimbas of Guatemala |
Chenoweth, V. |
Kentucky Press, 1964 |
The drum book |
Coleman, S. |
John day, 1931 |
The marimba book |
Coleman, S. |
John Day, 1926 |
Preactical understanding of the percussion section |
Wildman, L. |
Humpheries, 1964 |
The musical glass and glass harmonica |
King, Hyatt |
Hyatt, 1946 |
Lampe de cymbals |
Lampoe, F.A. |
Rhenum, MDCCIII |
Orchestal percussion technique |
Blades, J. |
Oxford, 1961 |
Crotalogia o la ciencia de las castanuelas |
Florencio, F.A. |
Subirana, 1882 |
The art of the tympanist and drummer |
Shivas, A.A. |
Dennis, 1947 |
Music in rhythm--as exemplified by the timpani |
Cummings, W.H. |
1909 |
The history and romance of "rattling" musical jaw bones |
Miles, C.F. |
Standard, 1936 |
The kettle-drums |
Kirby, P. |
Oxford, 1930 |
The art ans science of the timpani |
Taylor, H. |
Baker, 1964 |
Drums, tomtoms and rattles |
Mason, B.S. |
Barnes, 1938 |
Cymbales et crotales dans l'egypte ancienne |
Hickmmann |
Le caire, MCMXLIX |
Beating the tupan in the cantral balkans |
Arbatsky, Y. |
Newberry, 1953 |
Treatise of the angelica |
Menzies, D. |
|
Cat. of the stearn collection of musical instruments |
Stanley, A. |
Michigan, 1918 |
La musique, les musiciens, et les instruments de musique |
Comettant, O. |
Levi, 1869 |
The Glenn Gould reader |
Page, T., edit. |
Knopf, 1984 |
Musical instruments and their homes |
Brown, M.E. & Brown, Wm.A. |
Dodd, 1888 |
Le trate d'orchestration d'hector berlioz |
Strauss, R. |
Peters, 1909 |
Traite practique d'instrumentation |
Guirauld, E. |
Durand, no year |
Musical instruments, a comprehensive dictionary |
Marcuse, S. |
Dopubleday, 1964 |
Dictionarie des instruments de musique |
Wright, R. |
Battley, 1941 |
Musical instruments (history) |
Geirnger, K. |
Oxford, 1945 |
Storia e letteratura degli strumenti musicali |
Profeta, R. |
Editrice, |
Tonreihen |
Riemann, L. |
Baedeker, 1890 |
Treatise of the military band |
Adkins, H.E. |
Boosey, 1945 |
Traite practique pratiquew d'instrumentation |
Guirauld, E. |
Durand, no year |
Musikhistorisk museum |
Hammerich, A. |
Kobehavn, 1909 |
Gli strumenti musicali nel; museo del conservatorio di Milan |
not specf. |
Hoepli, 1908 |
Alte musikinstrumente |
Ruth-sommer |
Schmith, 1920 |
Ancient musical instrument of scotland |
Glen, R. |
|
The history of musical instruments |
Sachs, C. |
Norton, 1940 |
Les harmonies du son |
Rambosson, J. |
Firmin didot, 1878 |
The soul of mbira |
Berliner, P. |
UC press, 1981 |
Les factures d'instruments de musique |
Pierre, C. |
Sagot, 1893 |
Die geshichte der mandoline |
not specf. |
|
El dilema del sonido en la guitarra |
Pujol, E. |
Fernandez, 1934 |
La guitarra y su historia |
Pujol, E. |
Fernandez, 1934 |
Diccionariop de guitarristas |
Prat, D. |
Fernandez, 1934 |
The oboe |
Bate, Ph. |
Philosophical, 1956 |
Woodwind and their history |
Baines, A. |
Norton, 1957 |
Ther bassoon and contrabassoon |
Langwill, L.G. |
Benn, 1965 |
The trupet and the trombon |
Bate, Ph. |
Benn, 1966 |
Musical wind instruments |
Carse, A. |
Macmillan, 1939 |
Instruments a vent |
Bouasse, H. |
Delagrave, 1929 |
Die geschichte der bach un Handeltrompete |
Menke, W. |
Reeves, 1934 |
The saxophon |
Davis, B. |
Selmer, no year |
Ancient european musical instruments |
Bessarboff |
Harvard, 1941 |
Musical instruments |
Hipkins, A.J. |
Black, 1945 |
Musical instrument through the ages |
Urwin, I. |
Spring, no year |
Catalogue general de instruments egyptiennes, musee du caire |
Hickmann, H. |
IFAO, 1949 |
How to build musical instruments |
Geiger, L.F. |
Homecraft, no year |
Le pittoresque musica a l'exposition |
Bailly, E. |
Humanite nouvelle, 1900 |
Les anciennes insatrument de musique |
Bricqueville |
Libraire de l'art, no year |
Catalogue of the special exhib.of ancient instruments |
not specf. |
Strangeways, 1873 |
Musee retrospectif de la classe 17. instruments de musique |
not specf. |
Expo 1900, Paris, 1900 |
Military music: a history of wind-instrumental music |
Kappey, J.A. |
Boosey, no year |
Musical instruments in the south kensignton museum |
Engel, C. |
Eyre, 1874 |
Hyperacoustics |
Dunk J.L. |
Dutton, 1921 |
The phisics of music |
Wood, A. |
Methuen, 1950 |
Man's world of sound |
Pierce, J.R. |
Doubleday, 1958 |
Tone |
Levaire S. & Levy, E. |
Kent univ., 1968 |
Noise and man |
Burns, W. |
Murray, 1968 |
Hearing |
Stevens, S.S., et al |
Wiley, 1947 |
Intervals, Scales and temperements |
Lloyd, Ll., et al |
St. Martin's, 1963 |
Rercherches sur la teorie de la musique |
Jamard. M. |
Jombert, 1769 |
Musico-physiologiques |
Meerens, Ch. |
Schott, 1868 |
Decibels and phones |
Lloyd, Ll.S. |
Oxford, 1938 |
Musical acoustics |
Broadhouse, J. |
New temple, no year |
Sound and it's relation to music |
Hamilton, C. |
Ditson, 1912 |
The science of music |
Taylor, S. |
Appleton, 1892 |
Science and music |
Jeans, J. |
Cambridge, 1937 |
The musical ear |
Lloyd, Ll.S. |
Oxford, 1940 |
Musical acoustics |
Culver, Ch. |
Blackiston, 1947 |
The science and sensations of vocal tone |
Herbert-caesari, E.F. |
Dent, 1936 |
Musical engineering |
Olson, H. |
MacGraw Hill, 1952 |
Experiments in earing |
Bekesi, G. von |
McGraw Hill, 1960 |
The phisycs of muscal sound |
Taylor, C.A. |
English univ., 1965 |
Introductory acoustics |
Stewart, G.W. |
Nostrand, 1933 |
The theory of sound |
Strutt, J.Wm. & Rayleigh, B. |
Dover, 1945 |
The world of sound |
Bragg, Wm. |
Bell, 1933 |
Traite d'acoustique |
Chlandi, E.F.F. |
Courcier, 1809 |
Sound waves |
Miller, D.C. |
Macmillan, 1937 |
Acoustics |
Marks, P. |
Chgemical Publ., 1941 |
The story of sound |
Geralton, J. |
Harcourt, 1948 |
Hyperacoustics |
Dunk, J. |
Dent, 1941 |
Speech and earing |
Fletcher, H. |
Nostrand, 1929 |
Ueber Klangfiguren |
Antolik, K. |
Friedlaender, 1890 |
The new acoustics |
McLachan, B.M. |
Oxford, 1936 |
The problem of noise |
Bartlett, M.A. |
Cambridge, 1934 |
Applied architectural acoustics |
Rettinger, M. |
Chemical publ., 1947 |
Practical acoustics |
Begenal, H. |
Chemical publ., 1942 |
Science and music |
Berger, M., et al |
McGraw Hill, 1961 |
Waves and the ear |
Bergeijk W., et al |
Anchor, 1960 |
Horns, strings and Harmony |
Benade, A. |
Anchor, 1960 |
Theory of sound |
Blaserna, P. |
Appleton, 1892 |
La musicque et la science |
Saint-George, H. |
Fischbacher, 1912 |
Manuel d'harmonie |
De Gerase, N. |
Baur, 1881 |
Esthetique musicale scientifique |
Lalo, Ch. |
Alcan, 1908 |
Le son |
Guillemin, A. |
Hachette, 1878 |
Elementos de sciencias musicais |
Branco, L. de F. |
Sasseti, 1922 |
Physics and music |
Anfilov, G. |
Mir, 1966 |
The stratification of musical rhythm |
Yetson, M. |
New Haven, 1976 |
La perception de la musique |
Frances, R. |
Philosophique, 1958 |
Musical taste. Its measurement and cultural nature |
Fernsworth, P.R. |
Stanford, 1950 |
Improvability of pitch discrimination |
Wyatt, R. |
A.P.A.,1945 |
Fur augen und ohren |
Many authors |
Akadenmie der kunste, 1980 |
Music of three seasons: 1974-1977 |
Porter, A. |
Farrar Staruss, 1978 |
Software for people |
Oliveros, P. |
Smith, 1984 |
A generative theory of tonal music |
Lardhal, F., et al |
Mit, 1983 |
Music theatre in a change society |
Bornoff, J. |
Unesco, 1968 |
The composer's voice |
Cone, E.T. |
UC press, 1974 |
Questions about music |
Sessions, R. |
Norton, 1971 |
Gozar y comprender la musica |
Velazques, G.O. |
Porrua, 1973 |
Music |
Scott, C. |
Rider, 1933 |
Rice & development of military music |
Farmer, H.J. |
Reeves, 1912 |
Histoire musicalle de la main |
Gouget, E. |
Fischbacher, 1898 |
Il metronomo |
Passagni, L. |
Ricordi, no year |
Curiosoties of the keyboard and the staff |
Rodhes, A. |
Augener, 1896 |
L'argot musical |
Gouget, E. |
Fishbacher, 1892 |
Music and puritanism |
Scholes, P.A. |
Sauberlin, 1934 |
The songs of insects |
Pierce, G.W. |
Harvard, 1948 |
Color-music |
Rimington, A.W. |
Hutchinson, 1911 |
Music and morals |
Haweis, H.R. |
Harper, ca. 1871 |
The great abuse of music |
Bedford, A. |
J.F., 1711 |
Curiosities of music |
Elson, L.C. |
Oliver Ditson, no year |
The psychology of sound |
Watt. H.J. |
Cambridge, 1917 |
Objective analysis of musical performance |
Seashore, E., edit. |
Iaowa, 1936 |
Music and medicine |
Schullman, D.M., et al |
Shuman, 1948 |
Musique, psychologie et psychotherapie |
Guilhoty, J., et al |
Sociales francaises, 1964 |
The efects of music |
Schoen, M. |
Kegal, 1927 |
Psychology of music |
Seashore, C.E. |
McGraw-Hill, 1938 |
Traite des effets de la musique |
Roger, J.L. |
Reymann, 1803 |
The psychology of musical talent |
Seashore, C.E. |
Silver, 1919 |
Threshold of music |
Wallace, Wm. |
Macmillan, 1908 |
The borderland of music and psychology |
Howes, F. |
Kegan, 1926 |
The musical faculty |
Wallace, Wm. |
Macmillan, 1914 |
In search of beauty in music |
Seashore, C.E. |
Ronald, 1947 |
An experimental psychology of music |
Feininger, K. |
Gemunder, 1909 |
Ralation of psychology to music |
Bartholomew, E.F. |
Rock island, 1899 |
The beautiful in music |
Schoen, M. |
Kegan, 1928 |
A study of the nature of music and the power of music |
Autcliffe, H. |
Wavwerly, no year |
Formalized music |
Xenakis, I. |
Indiana, 1971 |
An objective psychology of music |
Lundin, R.W. |
Ronald, 1953 |
The psychology of musical ability |
Shuter, R. |
Methuen, 1968 |
The psychology of a musical prodigy |
Revesz, G. |
Harcourt, 1925 |
Music therapy |
Podolsky, E., edit. |
Philosophical, 1954 |
La musicoterapia |
Paubrese, J. |
La irradiacion, no year |
The psycholoy of music |
Davies, J.B. |
Hutchinson, 1978 |
Emotion and meaning in music |
Meyer, L.B. |
Chicago, 1956 |
Aproximacion a una estetica de la musica contemporanea |
De pablo, L. |
Ciencia nueva, 1968 |
The modern composer and his world |
Beckwith, J., edit. |
Toronto, 1961 |
Rencontres avec Pierre Boulez |
Golea, A. |
Julliard, 1958 |
Notes of an appreticeship |
Boulez, P. |
Knoff, 1968 |
De palestrina a Bartok |
Gavoty, B. |
Flammarion, 1965 |
I am a composer |
Honegger, A. |
St. Martin, 1966 |
The art of judging music |
Thomson, V. |
Knoff, 1948 |
The musical scene |
Thomson, V. |
Knoff, 1945 |
Music right and left |
Thomson, V. |
Holt, 1951 |
The state of music |
Thomson, V. |
Morrow, 1939 |
Stravisnky |
Vlad, R. |
Oxford, 1960 |
Stravisnky in the theatre |
Lederman, M., edit. |
Pellegrini, 1949 |
Stravisnky chronicle of a frienship |
Craft, R. |
Knopf, 1972 |
Encounters with Stravisnky |
Horgan, P. |
Strauss, 1972 |
Prejudices in disguise |
Craft, R. |
Knopf, 1974 |
The music of Igor Stravinsky |
Den Torn, P.C. |
New Haven, 1983 |
Shoenberg and Stravinsky |
Boretz, B., et al |
Princeton, 1968 |
Stravinsky selected correspondence I |
Craft, R. |
Knopf, 1982 |
Stravinsky seen and heard |
Keller, H., et al |
Toccata, 1982 |
Stravinsky selected correspondence II |
Keller, H., et al |
Toccata, 1982 |
Stravinsky selected correspondence II |
Craft, R. |
Faber, 1984 |
Dearest Bubushkin |
Craft, R., edit. |
Thames, 1985 |
Igor Stravinsky, in Ars, revista de arte |
not specf. |
Ars, 1979 |
Bravo Stravinsky |
Craft, R. |
World, 1967 |
Igor and Vera Stravinsky |
Craft, R., et al |
Thames, 1982 |
A Stravinsky scrapbook |
Craft, R. |
Thames, 1982 |
Stravinsky |
White, R.W. |
Philosophical, 1948 |
Igor Stravinsky |
Tansmann, A. |
Putnam, 1949 |
Poetica musical |
Stravinsky, I. |
Emece, 1946 |
Nuevas cronicas de mi vida |
Stravinsky, I. |
Sur, 1936 |
Cronicas de mi vida |
Stravinsky, I. |
Sur, 1935 |
El caso Strawinsky |
Ramos, S. |
Contemporaneos, 1929 |
Expositions and Developments |
Stravinsky, I. & Craft, R. |
Doubleday, 1962 |
Memories and comentaries |
Stravinsky, I. & Craft, R. |
Doubleday, 1960 |
Themes and episodes |
Stravinsky, I. & Craft, R. |
Knopf, 1966 |
Retrospectives and conclusions |
Stravinsky, I. & Craft, R. |
Knopf, 1969 |
Conversations with Igor Stravinsky |
Stravinsky, I. & Craft, R. |
Doubleday, 1959 |
Dialogues and a Diary |
Stravinsky, I. & Craft, R. |
Doubleday, 1963 |
Themes and conclusions |
Stravinsky, I. |
Faber, 1972 |
And music and the close |
Libman, L. |
Norton, 1972 |
Stravinsky |
White, E.W. |
Faber, 1966 |
Stravinsky in pictures and documents |
Craft, R. & Stravinsky, V. |
Simon, 1978 |
Confronting Stravinsky |
Pasler, J., edit. |
UC Press, 1976 |
Igor Stravinsky |
Stravinsky, I. |
Norton,. 1962 |
Stravinsky |
Lang, P.H. |
Norton,. 1962 |
Igor Stravisnsky |
Corle, E., edit. |
Armitage, 1949 |
Avec Stravisnsky |
not specf. |
Roche, 1958 |
Story of notation |
Williams, A. |
Walter Scott, 1903 |
La notation musicale |
Machevy, A. |
Universitaires, 1952 |
The new worlds of Edgar Varese |
Solkema, S., edit |
i.s.a.m., 1979 |
Genesis of a music |
Partch, H. |
Wisconsin, 1949 |
Essays |
Bartok, B. |
Faber, 1976 |
The writings of Elliot Carter |
Carter, E. |
Indiana, 1977 |
Music and politics |
Henze, H.W. |
Cornell, 1982 |
The Philosophy of music |
Pole, Wm. |
Trubner, 1887 |
A Virgil Thomson reader |
Thomson, V. |
Mifflin, 1981 |
Jhon Cage at 75 |
Fleming, R. |
Lewisburg, 1989 |
John Cage, a catalogue of works |
not specf. |
Peters, 1962 |
A John Cage reader |
Gena, P. |
Peters, 1982 |
Charles Ives and his music |
Cowell, H. |
Oxford, 1955 |
Mind models |
Reynolds, R. |
Praeger, 1975 |
Hablar de musica |
Alcaraz, A. |
UAM, 1982 |
Breaking the sound barrier |
Battock, G. |
Dutton, 1981 |
Bela Bartok |
Moreux, S. |
Haarvill, 1953 |
Chavez, vida y obra |
Morillo, R.G. |
FCE, 1960 |
Carl Ruggles |
Harrison, L. |
Baradinsky, 1946 |
Bartok, life and music |
Stevens, H. |
Oxford, 1953 |
Essays before a sonata |
Ives, Ch. |
Norton, 1962 |
Sound structure of music |
Erickson, R. |
UC press, 1975 |
Darius Milhaud |
Collaer, P. |
Boeckhaendel, 1947 |
Music and imagination |
Copland, A. |
Harvard, 1952 |
Coopland on music |
Copland, A. |
Doubleday, 1960 |
Musical handwriting |
Jacob, A. |
Oxford, 1949 |
How to write music |
Harris, C.A. |
Gray, 1918 |
La musique et le signe |
Chailley, J. |
Laussane, 1967 |
La notation musicale et son influence [...] |
Tappolet, W. |
Bacconerie, 1947 |
Modern music notation |
Bohem, L. |
Schrimer, 1956 |
Fifty figure and character dance |
Bell, E.T. |
Barnes, 1925 |
Music fof fifty figure and character dance |
Bell, E.T. |
Barnes, 1925 |
Le livre de vie |
Obouhov, N. |
Haumond, no year |
New music vocabulary |
Risati, H. |
Illinois, 1975 |
Notations |
Cage, J. |
Something else, 1969 |
The philosophy of sound and history of music |
Higgings, W.M. |
Orr, MDCCCXXXVIII |
The biological bases of the evolution of music |
Kryzhanovsky, I.I. |
Oxford, 1928 |
Le langaje musical |
Ingenieros, D'J. |
Alcan, 1907 |
The nature of music |
Scherchen, H. |
Dennis dobson, MCMXLVI |
Ezra Pound and music |
Pound, E. |
New directions, 1977 |
Music and music printing in incunabula |
Kinkeldey, O. |
B.S.A., 1932 |
A list of books about music (english) |
Scholes, P.A. |
Oxford, 1940 |
Catalogue of early books on music (bef. 1800) |
Bartlett, H. |
Lib. of cong., 1944 |
Hoolywood Quarterly |
not specf. |
UC press, 1946 |
Catalogue de livres de musique |
Laurence, L. de la |
Droz, 1936 |
Versteigerung der musikbibliothek |
not specf. |
Breslauer, 1929 |
Musikbibliothek |
Wolffheim, W. |
Breslauer, 1929 |
Miscellanea musicae bio-bibliographica |
Springer, H. |
Musurgia, 1947 |
Guide to books on music and musicians |
Darell, R.D. |
Schrimer, 1951 |
Bibliography on books of music |
Gleason, H. |
Gleason, 1948 |
Musica mexicana contemporanea |
Gonzalez, M.A., et al |
SEP, 1982 |
Musica espanola de vanguardia |
Marco, T. |
Guadarrama, 1970 |
Introduccion a la musica mexicana del siglo XX |
Malmstrom, D. |
FCE, 1977 |
Carlos Chavez |
Morillo, R.G. |
FCE, 1978 |
La voluntad de crear |
Adomian, L. |
UNAM, 1981 |
Varese |
Varese, L. |
Norton, 1972 |
Con la musica por dentro |
Ascot, J.G. |
Casillas, 1982 |
Music and meaning |
Coker, W. |
Free, 1972 |
New directions in music |
Cope, D. |
Brown, 1971 |
Elliot Carter |
Rosen Ch. |
Lib. Cong., 1984 |
A conversation with elliot carter |
Edwards, A. |
Norton, 1971 |
Essays on music today |
Boulez, P. |
Harvard, 1971 |
Penser la musique de ajourd'hui |
Boulez, P. |
Gonthier, 1963 |
Perfect pitch |
Slonimsky, N. |
Oxford, 1988 |
Americas |
Garland, P. |
Soundings, 1982 |
Olivier Messian |
Griffiths, P. |
Cornell, 1985 |
Charles Ives en el recuerdo |
Perlis, V. |
EDISA, 1977 |
Pensamiento musical |
Bussono, F. |
UNAM, 1982 |
Charles Ives and his music |
Cowell, H. & Sidney |
Oxford, 1969 |
The Schillinger system of musical composition |
Schillinger, J. |
Fischer, 1946 |
Music reference and research materials |
Duckles, V. |
Free, 1964 |
The conductor's art |
Bamberger, C. |
McGrawHill, 1965 |
Dictionary of cinema, sound and music |
Clason, W.E |
Elsevier, 1956 |
Music for the movies |
Levy, L. |
Sampson, 1948 |
Music for the films |
Sabaneev, L. |
Pitman, 1935 |
The conductor raises his baton |
Finn, W.J. |
Dobson, 1944 |
L'art de diriger |
Kufferath, M. |
Fischbacher, 1909 |
Polish music |
Jarocinski, S. |
PWN, 1965 |
Wolds on music |
Bacon, E. |
Syracruse, 1960 |
Musioc and the european mind |
Dunwell, B.A. |
Jenkins, 1962 |
Interpreters and interpretations |
Vechten, C. van |
Knopf, 1917 |
Piccola guida alla bibliografia musicale |
Villans, L.A. |
Boca, 1906 |
The literature of music |
Matthew, J.E. |
Stock, 1896 |
Musicallia |
Davies, J.H. |
Pergamon, 1966 |
Bibliographie musicale |
not specf. |
Niogret, 1822 |
E.T.A. Hoffman and music |
Schafer, M. |
Toronto, 1975 |
Elliot Carter, sketches and scores |
not specf. |
N.Y. Public Library, 1972 |
Musica y revolucion |
Ardevol, J. |
Contemporaneos, 1966 |
Leonardo da Vinci as a musician |
Winternitz, E. |
Yale, 1982 |
Ese musico que llevo dentro |
Carpentier, A. |
Letras Cubanas, 1980 |
Henry Cowwel's new music |
Mead, R. |
UMI, 1981 |
A year from monday |
Cage, J. |
Weselay, 1967 |
Empty words |
Cage, J. |
Weseley, 1979 |
M (sic) |
Cage, J. |
Weseley, 1973 |
This man and music |
Burgess, A. |
Discus, 1983 |
For the birds: John Cage and Daniel Charles |
Charles, D. |
Marion, 1981 |
Boulez |
Peyser, J. |
Schrimer, 1976 |
Theorie der pneumatischen orgeltraktur |
Biehle, J. |
Breitkopf, 1911 |
L'emotion musicale et le piano |
Delpech, A. |
Henri, 1916 |
The lives of the piano |
Burgess, A., et al |
Harper, 1981 |
Choreaographic music |
Arvey, V. |
Dutton, 1941 |
Myth and ritual in dance, game and rhyme |
Spence, L. |
Watts, 1947 |
Modern dance forms |
Horst, L. et al |
Impluse, 1961 |
Spanish dance |
Meri, L. |
Barnes, 1948 |
Strawinsky |
Lederman, M. |
Dance index, 1947 |
Picasso and the ballet |
not specf. |
Dance index, 1946 |
Histoire de la dance |
Vaillat, L. |
Plon, 1942 |
La dance sonore |
Stanislas, M. |
P.U. de france, 1940 |
Music in the theatre |
not specf. |
Theatre arts monthly, 1928 |
Dance notation |
not specf. |
Dance index, 1946 |
American Ballet |
Sociedad musical Daniel |
S.M.D., 1941 |
La danza y el ballet |
Salazar, A. |
F.C.E., 1949 |
Music and the dance |
Evans, E. |
Jenkins, no year |
Dancing Gods |
Fergusson, E. |
Knopf, 1931 |
The borzoi book of modern dance |
Lloyd, M. |
Knopf, 1949 |
El arte de bailar |
Comas, F. |
Fontana, no year |
reflexiones sobre la danza y la musica |
Sakharoff, A. |
Emece, 1949 |
Music trough the dance |
Porter, E. |
Batford, 1937 |
Dance we must |
Shawn, T. |
Dobson, 1946 |
The dance encyclopedia |
Chujoy, A. |
Barnes, 1949 |
A biliography of dancing |
Magriel, P.D. |
Wilson, 1936 |
A bibliography of dancing |
Magriel, P.D. |
Wilson, 1941 |
World history of dance |
Sachs, C. |
Norton, 1937 |
Dances of spain and italy, 1400-1600 |
Dolmetsch, M. |
Kegan, 1954 |
The dance |
Martin. J. |
Tudor, 1946 |
El baile |
Charbonnel, R. |
Garnier, 1901 |
Insel Bali |
Krause, G. |
Folkwang, 1920 |
Music by computers |
Foertser, H. von, et al |
Willey, 1969 |
Music and technology |
not specf. |
La revue musicale, 1970 |
Electronic music |
Strange, A. |
Brown, 1972 |
The technology of computer music |
Mathews, M. |
MIT, 1969 |
Electronic musical instruments |
Lewer, S.K. |
Elec, engineer., 1948 |
The electrical production of music |
Douglas, A. |
Philosophical, 1957 |
Elektrische Klangerzeugung |
Meyer-Eppler, W. |
Dummers, 1949 |
Que es la musica electronica? |
Eimert, H., et al |
Nueva vision, 1959 |
Que es la musica conctreta? |
Schaffer, P. |
Nueva vision,1959 |
Computer aplications in music |
Lefkoff, edit. |
Virginia, 1967 |
Musique nouvelle |
not specf. |
Espirit, 1960 |
Electronic music and musique concrete |
Judd, F.C. |
Spoearman, 1961 |
Musica de la era tecnica |
Prieberg, F. |
Eudeba, 1961 |
Initiation a la composition musicale automatique |
Barbaud, P. |
Dunod, 1966 |
Musical instruments and audio |
Briggs, G.A. |
Wharfedale, 1965 |
Electronic organ handbook |
Anderson, H.E. |
Foulsham, 1964 |
Music in modern media |
Dolan, R.E. |
Scrimer, 1967 |
International electronic music catalog |
not specf. |
Electronic music review, 1967 |
A bibliography of electronic music |
Cross, L.M. |
Toronto, 1967 |
Music of many cultures |
May, E. et al |
U.C. Press, 1980 |
Twentieth century music |
Hansen, P.S. |
Allyn, 1961 |
Twentieth century music: an introduction |
Salzaman, E. |
Prentice, 1967 |
Temporal gestalt perception in music |
Tenney, J. |
unpublished version |
James Joyce, Marcel Duchamp, Erik Satie: an alphabet |
Cage, J. |
Unpublished version |
A history of consonance and dissonance |
Tenney, J. |
York, 1980 |
Anaglyphos |
Torres, P.G. |
Marsch. 1984 |
22 contemporary australian composer |
Jenkins, J. |
NMA, 1988 |
All american music |
Rockwell, J. |
Knopf, 1983 |
Notation in new music |
Karkoshka, E. |
Praeger, 1972 |
Feeling and form |
Langer, S.K. |
Scribner, 1953 |
Reflections on art |
Langer, S.K. |
Oxford, 1961 |
Music as metaphor |
Ferguson, D.N. |
Minnesota, 1960 |
Sound and symbol |
Zukerkandl, V. |
Pantheon, 1956 |
The sense of music |
Zuckerkandl, V. |
Princeton, 1959 |
The wellsprings of music |
Sachs, C. |
Hague, 1962 |
Philosophies of music history |
Allen, W.D. |
Dover, 1962 |
The language of music |
Cooke, D. |
Oxford, 1959 |
The shaping forces in music |
Toch, E. |
Criterion, 1948 |
The musical experience of composer, performer, listener |
Sessions, R. |
Princeton, 1950 |
Music in the modern world |
Myers, R.H. |
Edward, 1943 |
The scope of music |
Buck, P.C. |
Oxford, 1924 |
Music in society before 1900 |
Allen, W.D. |
Allen, 1949 |
Ideas and music |
Cooper, M. |
Chilton, 1965 |
Music. The arts and ideas |
Meyer, L.B. |
Chicago, 1967 |
The musical simbol (philosophy) |
Epperson, G. |
Iowa, 1967 |
Man and his music |
Harman, A. |
Oxford, 1962 |
Man, mind and music |
Howes, F. |
Secker, 1948 |
Music and society |
Mellers, W. |
Dobson, 1946 |
Music and society |
Siegmaiter, E. |
Critics, 1938 |
Music and its environment |
Rosenbourg, R.K. |
Island, 1949 |
Musique vivante |
Etienne Marie, J. |
Privat, 1953 |
Domaine musical |
Boulez, P. |
Grasset, 1954 |
Musique et universe sonore |
not specf. |
Age noveau, 1955 |
Music since 1900 |
Slonimsky, N. |
Coleman-Ross, 1949 |
Old friend and new music |
Nabokov, N. |
Hamilton, 1955 |
XX century music idioms |
Marquis, G.W. |
Prentice, 1964 |
La musica del siglo XX |
Herzfeld, F. |
Labor, 1964 |
Since Debussy |
Hodeir, A. |
Grove, 1961 |
The agony of modern music |
Pleasants, H. |
Schuster, 1955 |
Serious musioc and all that jazz |
Pleasants, H. |
Schuster, 1969 |
Horizons sonores |
Siohan, R. |
Flammarion, 1956 |
Musical trends in the 20th century music |
Demuth, N. |
Salisbury, 1952 |
Philosophie de la nouvelle musique |
Adorno, T.W. |
Gallimard, 1962 |
La musique et ses problemes contemporaines |
not specf. |
Julliard, 1963 |
20th Century music |
Yates, P. |
Pantheon, 1967 |
Musica y sociedad en el siglo XX |
Salazar, A. |
Casa de Espana, 1939 |
Change imagery |
Brecht, G. |
Great bear, 1966 |
How to improve the world... |
Cage, J. |
Great bear, 1967 |
The art of noise |
Russolo, L. |
Great bear, 1967 |
A zaj sampler |
not specf. |
Grat bear, 1967 |
20 ans de musique contemporaine |
Golea, A. |
Seghers, 1962 |
The language of modern music |
Mitchell, D. |
Faber, 1963 |
Introduction to contemporary music |
Machlis, J. |
Norton, 1961 |
Contemporary composers on contemporary music |
not specf. |
Holt, 1967 |
Composers in America |
Reis, C.R. |
Macmillan, 1947 |
The American composer speaks |
Chase, G. edit. |
Louisiana, 1966 |
La musica en los estados unidos |
Paz, J.C. |
FCE, 1952 |
American composers on american music |
Cowell, H., edit. |
Frederick, 1961 |
Foundations builders of modern music |
Birdsall, J. |
Tripp, 1929 |
Music ho! |
Lambert, C. |
Faber, |
Musical uproar in moscow |
Werth A. |
Turnstile, 1949 |
20th century music, an introduction |
Hansen, P.S. |
Allyn, 1961 |
Steve Reich |
Reich, S. |
Universal, 1961 |
Music in the 20th century |
Austin, Wm.W. |
Norton, 1966 |
Visage de la musique contemporaine |
Mooser, R.A. |
Julliard, MCMLXII |
La musica de nuestro tiempo |
Golea, A. |
Era, 1962 |
Regards sur la musique contemporaine |
Mooser, R.A. |
Rouge, 1947 |
Panorama de la musica contemporanea |
Samuel, C. |
Guadarrama, 1965 |
Musique nouvelle |
Stuckenschmith, H.H. |
Correa, 1956 |
20th Century music |
Myers, R.H., edit |
Calder, 1960 |
A guide to electronic music |
Griffiths, P. |
Hudson, 1979 |
Experimental music |
Hiller, L.A., et al |
McGraw hill |
A la recherche d'une musique concrete |
Schaeffer, P. |
Du seuil, 1952 |
Antheil and the treatise on harmony |
Pound, E. |
MCMXXVII |
New musical resources |
Cowell, H. |
Knopf, 1930 |
Music here and now |
Krenek, E. |
Norton, 1939 |
Toward a new music |
Chavez, C. |
Norton, 1937 |
Stockhausen's klavierstuck X |
Henck, H. |
Neuland, 1980 |
Stokhausens klavierstuck IX |
Henck, H. |
S.M.,m 1978 |
Musical thought |
Chavez, C. |
Harvard, 1961 |
Les musiques experimentales |
Moles, A.A. |
Cercle du art cont., 1960 |
Music, a science and an art |
Redfield, J. |
Tudor, 1928 |
Schoenberg and his school |
Leibowitz, R. |
Philosophical, 1949 |
Composition with 12 notes |
Rufer, J. |
Rockliff, 1954 |
Serial composition |
Brindle, R.S. |
Oxford, 1966 |
The path to the new music |
Webern, A. |
Universal, 1963 |
Qu'est-ce que la musique de 12 sons? |
Leibowitz, R. |
Dynamo, 1948 |
Serial music and electronic music, a bibliography |
Basart, A.Ph. |
U.C., 1961 |
Serial composition and atonality |
Perle, G. |
Berkeley, 1962 |
Style and idea |
Schoenberg, A. |
Philosophical, 1950 |
Sketch of a new esthetic of music |
Bussoni, F. |
Schrimer, 1911 |
La evolucion de la musica |
Leibowitz, R. |
Nueva vision, 1957 |
Autobiografia y estudios |
Krenek, E. |
Rialp, 1940 |
The new music |
Dyson, G. |
Oxford, 1923 |
Orpheus, or the music of the future |
Turner, W.J. |
Dutton, 1926 |
The philosophy of modernism (music) |
Scott, S. |
Kegal, no year |
Musica y musicos contemporaneos |
Copland, A. |
Losada, 1945 |
La musica moderna |
Salazar, A. |
Losada, 1944 |
Exploring 20th cenmtury music |
Deri, O. |
Holt, 1968 |
Structural hearing |
Salzer, F. |
Boni, 1952 |
Las resonance dans les echelles musicales |
Weber, E., edit. |
C.N.R.C., 1960 |
Le nombre d'or |
Ghyka, M.C. |
Gallimard, 1931 |
A theory of evolving tonality |
Yasser, J. |
A.M.M., 1932 |
A composer's world |
Hindemith, P. |
Harvard, 1952 |
Music after the great war |
Vechten, C. van |
Schrimer, 1915 |
Almanach de la musique |
Honneger, A., edit. |
Flore, 1950 |
Music 1900-1930 |
Swan, A. |
Norton, 1929 |
Entretiens de la musique |
Ansermet, E. & Piguet, J-Cl. |
Bacconier, 1963 |
Semantique musicale |
Danielou, A. |
Hermann, 1967 |
Exploring music |
Krenek, E. |
Calder, 1966 |
European music in the 20th century |
Hartog, H., edit. |
Praeger, 1957 |
Contemporary tone-structures |
Forte, A. |
Columbia, 1955 |
Studies in contemporary music |
Mellers, W. |
Dobson, 1947 4 |
Notes sans musique |
Milhaud, D. |
Julliard, 1949 |
20th century music: An introduction |
Salzman, E. |
PrenticeHall, 1967 |
Experimental music |
Nyman, M. |
Schrimer, 1974 |
A fuge in cycles and bells |
Mills, J. |
Nostrand, 1935 |
The life and death of a small magazine (modern music) |
Lederman, M. |
ISAM, 1983 |
Rhytmus und vortrag |
Tetzel, E. |
Wolbing, 1926 |
Perpsectives on contyemporary music theory |
Boretz, B., edit. |
Norton, 1972 |
Ives, A survey of the music |
Hitchcock, H.W. |
ISAM, 1977 |
The sense of music |
Zuckerland, V. |
Princeton, 1959 |
Musical forms and textures |
Demuth, N. |
Rockliff, 1953 |
The forms of music |
Hodeir, A. |
Walker, 1951 |
Experimental research in music |
Madsen, C.K., et al |
Prerntice-hall |
The languague of music |
Liepmann, K. |
Ronald, 1953 |
The art of music |
Cannon, B.C. |
Yale, 1960 |
The works of Armnold Schoenberg |
Rufer, J. |
Faber and Faber, 1959 |
Challenge to musical tradition |
Katz, A.T. |
Knopf, 1945 |
Musical form |
Leichtentritt, H. |
Harvard, 1951 |
What is rhythm? |
Sonnenschein, E.A. |
Basil, 1925 |
Sound and rhythm |
Edmunds, W. |
Baillere, 1906 |
The rhythmic conception of music |
Glyn, M.H. |
Bosworth, |
The rhythm of modern music |
Williams, C.F.A. |
MacMillan, 1909 |
The rhythm of songs |
Williams, C.F.A. |
Methuen, 1925 |
The r^ole of kinaesthesis in the perception of rhythm |
Ruckmich Ch.A. |
A.J.P., 1913 |
Origins of musical time and expression |
Harding, R.E.M. |
Oxford, 1938 |
Sur le rythme musical |
Dumesnil, R. |
Not specf. |
Die categorie der zeit in der musik |
Klugmann F. |
Bonn, 1961 |
Tempo rubato |
McEwen, J. |
Oxford, 1928 |
The aristoxenian theory of musical rhythm |
Williams, C.F.A. |
Cambridge, 1911 |
Principles of rhythm |
Creston, P. |
Colombo, F. 1961 |
The rhythmic structure of music |
Cooper, G.W. & Meyer, L.B. |
Chicago, 1960 |
Rhythm and tempo |
Sachs, C. |
Norton, 1953 |
The stratification of musical rhythm |
Yetson, M. |
New Haven, 1976 |
Rhythm, music and education |
Jaques-Dalcroze, E. |
Putnam, 1921 |
Rhythm, an annotated bibliography |
Winick, S.D. |
Scarecrow, 1974 |
The american rhythm |
Austin, M. |
Riverside, 1930 |
El ritmo musical |
Lussy, M. |
Ricordi, 1945 |
Rhythm |
Bolton, T.L. |
Not specf. |
La richesse rythmique musicale |
Houdard, |
not specf. |
Le rythme musical |
Biton, Ph. |
Henn, 1948 |
Ethos und mythos der Rhythmen |
Huber, A.G. |
Heitz, 1947 |
Traite practique du rythme |
Fontaine, F. |
Lemoine, 1955 |
Le temps musical |
Brelet, G. |
P. Universitaires, 1949 |
Le rythme musical |
Willems, E. |
P. Univeritaires, 1954 |
1er congres du rythme |
Primmer, A., edit. |
Geneve, 1926 |
Rhythm in music |
Wedge, G.A. |
Schrimer, 1927 |
Encyclopedia of rhythms |
Schillinger, J. |
Colin, no date |
Rythm in music |
Wedge, G.A. |
Schrimer, 1927 |
Theorie du rythme |
Combarieu, J. |
Picard, 1897 |
Urbeit und rhytmus |
Bucher, K. |
Reinike, 1924 |
The origine and structure of rhythm |
Dunk, J.L. |
Clarke, 1952 |
The time of music |
Kramer, J.D. |
Schrimer, 1988 |
Reflections on art |
Langer, S.K., edit. |
Hopkins, 1958 |
Il rumore del tempo |
Lombardi, D. |
Centro di, 1983 |
A musical offering |
Lee, J., edit. |
Meanjin, Melbourne, 1988 |
Orchestration |
Forsdyth, C. |
Macmillan, 1936 |
The art of melody |
Edwards, A.C. |
Vision, 1948 |
Silence |
Cage, J. |
Wesleyan, 1961 |
The homophomic forms of musical composition |
Goetshius, P. |
Schrimer, 1898 |
Steps to parnassus (couterpoint) |
Mann, A. |
Norton, 1943 |
Harmony in western music |
Goldman, R.F. |
Norton, 1965 |
Contemporary harmony |
Ulehla, L. |
Free, 1966 |
A short instroduction to the techique of 12 tone composition |
Spinner, L. |
Boosey, 1960 |
Theme and variations (12 tone composition) |
Kelly, R. |
Brown, 1949 |
New harmonic devices |
Miller, H.A. |
Ditson, 1930 |
The evolution od 20th century music |
Dunwell, W. |
Novello, 1960 |
Harmonic practice |
Sessions, R. |
Brace, 1951 |
Mort et transfiguration de l'harmonie |
Costere, E. |
P. Universitaires, 1962 |
The theory of harmony |
Shirlaw, M. |
Coar, 1955 |
La armonia en la musica contemporanea |
Villar, R. |
Paez, 1927 |
Tonal harmony in concept and practice |
Forte, A. |
Rinehart, 1962 |
Modern harmony |
Hull, A.E. |
Augener, no year |
Theory of harmony |
Shoenberg, A. |
Philosophical, 1948 |
Counterpoint |
Clarke, H.A. |
Theo, 1901 |
The craft of musical compositon |
Hindemith, P. |
Music publishers, 1942 |
Creative counterpoint |
Liebermerman, M. |
Bacon, 1966 |
Studies in counterpoint |
Krenek, E. |
Schrimer, 1940 |
20th century counterpoint |
Searle, H. |
Benn, 1954 |
The technique and spirit of fugue |
Oldroyd, G. |
Oxford, 1960 |
20th century fugue |
Graves, W.L. |
Catholic, 1962 |
Counterpoint |
Rubbra, E. |
Hutchinson, 1960 |
Preliminary exercises in counterpoint |
Schoenberg, A. |
Faber, 1963 |
Fugue (history and practice) |
Horsley, I. |
Free, 1966 |
The study of fugue |
Mann, A. |
Rutgers, 1958 |
Modal counterpoint (16th Century) |
Krenek, E. |
Boosey, 1959 |
Tonal counterpoint (18th century) |
Krenek, E. |
Boosey, 1958 |
The compositional matrix |
Forte, A. |
Music teachers N.A., 1961 |
Harmony in modern couterpoint |
Middleton, R.E. |
Alllyn, 1967 |
The terchique of modern variation |
Nelson, R.U. |
Berkeley, 1948 |
The structure of musical scale |
Dunk, J.L. |
Bodley, 1940 |
Form and performance |
Stein, E. |
Faber, 1962 |
Tonality in modern music R |
Reti, R. |
Collier, 1958 |
La gamme et le langage musical |
Emery, E. |
Universitaires, 1961 |
Tonality, atonality, pantonality |
Reti, R. |
Maqcmillan, 1958 |
A texbook of melody (analysis) |
Waesberghe, J.S. van |
A.I.M., 1955 |
A history of melody |
Szabolci, B. |
Barrie, 1965 |
Tune |
Holst, I. |
Faber, 1962 |
Coposing for the films |
Eiler, H. |
Oxford, 1947 |
New sounds for woodwind |
Bartolozzi, B. |
Oxford, 1967 |
The thematic process in music |
Reti, R. |
Macmillan, 1951 |
The art of orchestration |
Rogers, B. |
Appleton, 1951 |
Contemporary instrumental techniques |
Read, G. |
Schrimer, 1976 |
The american record index |
Lebow, B. |
Elaine, 1950 |
Long playing record catalog |
not specf. |
Schawn, 1951 |
Long playing record catalog |
not specf. |
Schawn, 1951 |
Bach on records |
Marek, G. |
Four corners, 1942 |
The collector's bach |
Broder, N |
Lippincott, 1958 |
Music on records |
Haggin, B.H. |
Oxford, 1938 |
The american records index |
Lebow, B. |
Elaine, 1950 |
Record catalogue |
not specf. |
Mezhdunarodnaya, 1950 |
Collector's guide to american recordings |
Moses, J.M. |
A.R.C.E., 1949 |
The record guide |
Sacksville-west, E. |
Collins, 1951 |
Complete catalogue of industani records |
not specf. |
Columbia, 1952 |
Complete catalogue of industani records |
not specf. |
Columbia, 1951 |
Gramophone records of african music |
Tracey, H., edit. |
Gallo, 1952 |
The gramophon shop encyclopedia of recorded music |
Darrel, R.D., edit. |
Gramophon, 1936 |
New Guide to recorded music |
Kolodin, I. |
Doubleday, 1947 |
Records, 1950 edition |
Hall, D. |
Knopf, 1950 |
New hot discography |
Delaunay, Ch. |
Criterion, 1948 |
The record book |
Hall, D. |
Durrell, 1948 |
The jazz record book |
Smith, Ch.E., et al |
Durrell, 1942 |
Hamline studies in musicology |
Krenek, E., edit. |
Hamline, 1945 |
Das moderne tonsystem in seiner erwriteren und vervollk... |
Blum, C.R. |
Erler, 1911 |
The technique of my musical languaje |
Messian, O. |
Leduc, 1956 |
The foundations of musical judgment |
Smith, B.A. |
Holly cross, 1964 |
Technique de mon langage musical (musical examples) |
Messian, O. |
Leduc, 1944 |
Foundation grant to individuals |
not specf. |
The foundation center, 1984 |
Music of three more seasons |
Porter, A. |
Kbbopf, 1981 |
Getting grants |
Smith, C.W. |
Harper, 1980 |
Grants for the arts |
White, V.P. |
Plenum, 1980 |
The art of melody |
Edwards, A. |
Philosophical, 1956 |
A John Cage reader |
Gena P. & Brent, J. |
Peters, 1982 |
Musik und technik |
Ligeti, G. |
Siedler, 1981 |
Thesaurus of orchestal devices |
Read, G. |
Pitman, 1953 |
Orchestal wind instruments |
Daubeny, U. |
Reeves, 1920 |
Compendio de instrumentacion |
Riemann, H. |
Labor, 1928 |
The orchestal instruments and what they do |
Mason, D.G. |
Novello, 1909 |
Music in the nation |
Haggin, B.H. |
Sloane, 1940 |
Introduction to musicology |
Haydon, G. |
Prentice-Hall |
The main stream of music and other essays |
Tovey, D.F. |
Oxford, 1949 |
From madrigal to modern music |
Moore, D. |
Norton, 1942 |
Les etapes de la chanson |
Papin, H. |
Lachize, 1898 |
Music and manners |
Beaty-Kingston, W. |
Chapman, 1887 |
Der kligende garten (eros and music) |
Weissman, A. |
Neuekunsthandlung, 1920 |
Musical myths and facts |
Engel, C. |
Novello, MDCCCLXXVI |
La musique et son histoire |
Rougon, P. |
Garnier, 1920 |
America's music |
Chase, G. |
McGraw Hill, 1966 |
Music in a new found land |
Mellers, W. |
Barrie, 1964 |
The four ages of music |
Wiora, W. |
Dent, 1965 |
Musi in the life of man |
Portnoy, J. |
Holt, 1963 |
The music of the most ancient nations |
Engel, C. |
Reeves, 1864 |
The social psychology of music |
Farnsworth, P.R. |
Dryden, 1958 |
Our musical heritage |
Sachs, C. |
Prentice-hall, 1948 |
Mediaeval and renaissance choral music |
not specf. |
McLaughlin, 1940 |
The story of chamber music |
Kilburn, N. |
Walter scott, 1904 |
The interpretation of the music (XVII and XVIII centuries) |
Dolmetsch, A. |
Oxford, 1946 |
16th century polyphony |
Merritt, A.T. |
Cambridge, 1946 |
J.S. Bach |
Schweitzer, A. |
Charles black, 1945 |
Howe music expresses ideas |
Finkelstein, S. |
International publishers, 1952 |
Music in the history of the western church |
Dickinson, E. |
Scribner's sons, 1931 |
Gleanings from the history of music |
Bird, J. |
Mussey, 1850 |
Keyboard music from the middle ages |
Bedrock, G.S. |
Macmillan, 1949 |
J.S. Bach's musical offering |
David, H.T. |
Schrimer, 1945 |
Musical history: biography and criticism |
Hogharth, G. |
Parker, 1935 |
La musique americaine |
Gauthier, A. |
Universitaires, 1963 |
Collin Wilson on music |
Wilson, C. |
Pan, 1967 |
Forma y expresion de la musica |
Salazar, A. |
El colegio de mexico, 1941 |
La musica en la antiguedad |
Sachs, C. |
Labor, 1934 |
Los grandes periodos en la historia de la musica |
Salazar, A. |
O.S.M., 1941 |
La musique des troubadours |
Beck, J. |
Laurens, 1928 |
Music and poetry of the english renaisance |
Pattison, B. |
Methuen, 1948 |
The english madrigal composers |
Fellowes, E.H. |
Oxford, 1921 |
A history od english cathedral music |
Bumpus, J.S. |
Laurie, no year |
Music in London |
Shaw, B. |
Contable,1950 |
Music in western civilization |
Lang, P.H. |
Norton, 1941 |
Source readings in music history |
Strunk, O. |
Norton, 1950 |
The rise of music in the ancient world |
Sachs, C. |
Norton, 1943 |
The bach reader |
David, H.T. |
Norton, 1945 |
Music in the baroque era |
Bukofzer, M.F. |
Norton, 1947 |
The sonata in the baroque era |
Newman, Wm.S. |
Chapel hill, 1959 |
The notation of polyphonic music |
Apel, W. |
Mediaeval academy, 1942 |
The notation of medieval music |
Parrish, C. |
Norton, 1957 |
Reprise (early music) |
Cohen J., Snitzer, H. |
Brown, 1985 |
Masterpieces of music before 1750 |
Parrish, C., et al |
Norton, 1951 |
Dances of england and france (1450-1600) |
Dolmetsch, M. |
Kegan, 1949 |
The mirror of the music, 1844-1944 |
Scholes, P.A. |
Novello, 1947 |
The golden age of italian music |
O'brien, G. |
Jarrolds, no year |
Musica, historia e ideas |
Leichtentritt, H. |
Espasa-Calpe, 1945 |
New Oxford history of music |
Hughes, D.A., edit |
Oxford, 1955 |
The interpretation of early music |
Donington, R. |
Faber, 1963 |
Early Chamber music |
Rowen, R.H. |
Crown, 1949 |
Chamber music |
Ulrich, H. |
Columbia, 1948 |
Secret chromatic art in the netherlands motet |
Lowinsky, E.E. |
Columbia, 1946 |
A history of musical thought |
Ferguson, D.N. |
Crofts, 1940 |
Music in the middle ages |
Reese, G. |
Norton, 1940 |
Stress and movement of the wirks of J.S. Bach |
Rothschild, F. |
Adam, 1966 |
Studies in medieval & reinassance music |
Bukofzer, M.F. |
Norton, 1950 |
La musica en la sociedad europea, (I,II,III,IV) |
Salazar, A. |
Colegio de Mexico |
Historie de la musique (I,II) |
Gerold, Th. & Pirro, A. |
Laurens, 1936 |
Music of the world, a history |
Pahlen's, K. |
Crown, 1949 |
The rhythm of the 12th century polyphony |
Waite, Wl.G |
Yale, 1954 |
40,000 years of music |
Chailley, J. |
Macdonald, 1964 |
The interpretation of plainchant |
Robertson, A. |
Oxford, 1937 |
Arte del canto llano, en metodo facil |
Marcos y Navas, F. |
C.I.L., 1862 |
Metodo cietifico practico de canto llano |
Masramon y Godo, M. |
Font, 1857 |
The music of the nature |
Gardiner, Wl. |
Carter, 1832 |
Histoire ilustre de la musique |
Dumesnil, R. |
Plon, 1934 |
Manual teorico-practico de canto gregoriano |
Haberl, F.X. |
Ratisbona, 1889 |
The ancients: their music and instruments |
Dawes, F. |
Oxford, 1893 |
Musique et musiciens au VIIe siecle |
Huygens, C., edit. |
Leyde, 1882 |
Anuario musical (I,II) |
Angles, H., edit. |
I.E.M., 1946-7 |
The italian madrigal(I,II) |
Einstein, A. |
Princeton, 1949 |
L'art du chant en france au XVIIe siecle |
Gerold, T. |
Istra, 1921 |
El origen mus. de los animales-sibolos en la mitologia y... |
Schneider, M. |
I.E.M., 1946 |
The style of Palestrina and the dissonance |
Jeppesen, K. |
Oxford, 1946 |
Theory of musical evolution |
Glyn, M.H. |
Dent, 1934 |
Music as the language of emotion |
Pratt, C.C. |
Library of Congress, 1952 |
Music into worlds |
Barzun, J. |
Library of Congress, 1953 |
Worlds and music |
Davidson, A.T. |
Library of Congress, 1954 |
La musica, sus leyes y su evolucion |
Combarieu, J. |
Cronos, 1944 |
The essence of music |
Bussoni, F. |
Dover, 1965 |
Historie de la musique (I,II,III) |
Combarieu, J. |
Colin, 1913 |
A dict. of music and musicians (I,II,III,IV) |
Grove, G., edit |
Macmillan, 1879 |
Baker's biographical dictionary of musicicans |
Slonimsky N., Rev. |
Schrimer, 1958 |
Harvard Dict. of music |
Apel, W. |
Harvard, 1945 |
The oxford companion to music |
Sholes, P. |
Oxford, 1947 |
Grove's Dict. of music and musicians (10 vols.) |
Blom, E., edit. |
Macmillan, 1954 |
Dictionary of contemporary music |
Yates, P., edit |
Dutton, 1971 |
Encyclop. de la musique et dict. du conservatoire (11 vol's) |
Laurencie, dir. |
Delagrave, 1922 |
The greek Aulos |
Schlesinger, K. |
Methuen, 1939 |
Traite de l'expression musicale |
Lussy, M. |
Heugel, 1882 |
Historical anthology of music |
Davison, A.T. & Apel, W. |
Harvard, 1957 |
La mesure dans la notation proportionelle et sa transc. mod. |
Tirabassi, A. |
Delvigne, 1924 |
Etudes de science musicale (4 vol's.) |
Dechevrens, A. |
Dechevrens, 1898 |
The international cyclopedia of music and musicians |
Thompson, O., edit. & Slonimsky N. edit. (1946) |
Dodd, 1946 |
La musique, des origines a nos jours |
Dufourcq, N., dir. |
Larousse, 1947 |
The Edimburgh musical miscellany (songs) I, II |
|
Mundell, 1808 |
A history of music in Scotland |
Farmer, H.G. |
Hinrichsen, 1946 |
Welsh national music and dance |
Williams, W.S.G. |
Curwen, 1932 |
A history of irish music |
Flood, Wl.H.G. |
Nolan, 1904 |
Old irish folk music and songs |
Joyce, P.W. |
Longmans, 1909 |
The rounds, catches and canons of england |
Rimbault, E.F. |
Cramer, no year |
La cle du caveau |
P.C. |
Cotelle, no year |
Notre chanson folklorique |
Coirault, P. |
Picard, 1942 |
France qui chante |
Sempe, J. |
Bourrelier, 1945 |
Chants populaires du pays basque |
Sallaberry, J.D.J. |
Ballone |
Historical anthology of music |
Davison, A.T. & Apel, W. |
Harvard, 1946 |
Music of earlier times |
Wolf, J. |
Broude, no year |
French secular music |
Apel, W. |
Cambridge, 1950 |
Examples of music before 1400 |
Gleason, H. |
Crofts, 1946 |
Shakespeare in music |
Elson, L.C. |
Page, 1901 |
Shakespeare and music |
Wilson, Ch. |
The stage, 1922 |
Essays on poetry and music |
Beattie, J. |
Dilly, 19? |
The meeting of poetry and music |
Ronga, L. |
Merlin, no year |
Music and poetry. Essays |
Lanier, S. |
Scribner's, 1898 |
Music in literature |
Howes, C.F., edit |
Hallet and Davies, 1894 |
Shakespeare and music |
Naylor, E.W. |
Dent, 1931 |
Music and literature |
Brown, C.S. |
Georgia, 1948 |
The technique of canon |
Norden, H. |
Branden, 1970 |
20th century music |
Stuckenscmith, H.H. |
McGraw Hill, 1969 |
Music and communication |
Mc Laughlin, T. |
St, Martin, 1970 |
American music since 1900 |
Thomsom, V. |
Winston, 1971 |
The computer and music |
Lincoln, H.B. |
Cornell, 1970 |
Perspective on american composers |
Boretz, B. & Cone, E.T. |
Norton, 1971 |
Contemporary percussion |
Brindle, R.S. |
Oxford, 1970 |
Music trough the looking glass |
Spiegel, F. |
Kegan, 1984 |
Orchestration |
Piston, W. |
Norton, 1955 |
Perspectives on music |
Ostransky, L. |
Prentice-Hall, 1963 |
Precis d'histoire de la musique |
Bertrand, P. |
Alphonse Lewduc, 1921 |
Basil Maine on music |
Maine B. |
Westhouse, 1945 |
Roland de lassus, motets I |
Lassus, R. de |
Not specf. |
El caso wagner |
Nietzsche, F. |
Sempere, no year |
La musica |
Colomb, C. |
Maravillas, 1885 |
French music today |
Rostand, C. |
Merlin, no year |
Les ecrivains ety la musique II |
Meylan, P. |
Cervin, 1952 |
Instrumental music |
Hughes, D. |
Harvard, 1959 |
Musical though in ancient greece |
Lippman, E.A. |
Columbia, 1964 |
The relation of ultramodern to archaic music |
Heyman, R.K. |
Maynard, 1921 |
21 anos de la O.S.M. |
|
O.S.M., 1948 |
Rameau |
Laurence, L. de la |
Laurens, no year |
Music and criticism |
French, R.F., edit. |
Harvard, 1948 |
L'anne musicale |
Bellaigue, C. |
Delagrave, 1888 |
La musique et les musiciens |
Lavignac, A. |
Delagrave, 1898 |
Le entretiend de les musiciens |
Gantez |
Claudin, 1883 |
Un siecle de musique francaise |
Bellaige, C. |
Delagrave, 1887 |
Regards neufs sur la chanson |
Barlatier, P. et al |
Du seuil, no year |
Los grotescos de la musica |
Berlioz, H. |
E.M.C.A., 1944 |
Puntos de vista |
Ogazon, A.H. y |
Gobernacion, 1921 |
Studies in indian music |
Rao, T.V.S. |
Asia, 1962 |
Melody music of india |
Adyanthana, N.M. |
Adyanthana, 1965 |
The folk-songs of southern india |
Gover, Ch.E. |
Siddhanta, 1959 |
The historical development of indian music |
Prajnanananda, S. |
Mukhopadhyaya, 1960 |
Theory of indian music |
Swarup, R.B.B. |
Swarup, 1933 |
South indian music, book IV |
Sambamoorthy, P. |
I.M.P.H., 1954 |
South indian music, book V |
Sambamoorthy, P. |
I.M.P.H., 1951 |
Hindusthani music |
Ranade, G.H. |
Ranade, 1938 |
South indian music, book III |
Sambamoorthy, P. |
I.M.P.H., 1953 |
The music of india |
Bandopadhyaya, S. |
Taraporevala, no year |
Science and art in indian music |
Batra, R.B. |
Lion, no year |
The origin of raga |
Bandopadhyaya, S. |
Birla, 1946 |
The dance of shiva |
Coomaraswamy, A. |
Asia, 1948 |
The apeal in indian music |
Sahukar, M. |
Thacker, 1943 |
Music text book, II |
Vinavisarad |
Basu, no year |
Music text book, I |
Vinavisarad |
Benares, no year |
South indian music, II |
Sambamoorthy, P. |
I.M.P.H., 1956 |
Indian music and its instruments |
Rosenthal, E. |
Reeves, 1928 |
Indian music. An introduction |
Mukerji, D.P. |
Kutub, 1945 |
The music of india |
Popley, H.A. |
Association, 1921 |
The folk songs of southern india |
Gover, Ch. |
Higginbotham, 1871 |
The ragas of tanjore |
Natrajan |
Dharwar, 1920 |
Catalogue de la musique indienne |
Danielou, A. |
Unesco, no year |
Melodic type of industhan |
Bose, N.K. |
Jaico, 1960 |
The story of indian music |
Gosvami, O. |
Asia, 1961 |
Recuil des oeubres de musique |
J.J. Rouseau |
not specf. |
Around music |
Sorabji, K. |
Unicorn, 1932 |
Tonality and atonality in 16th century music |
Lowinsky, E.E. |
California, 1962 |
Gregorian chant |
Apel, W. |
Indiana, 1958 |
L'anne musicale et dramatique |
Bellaige, C. |
Delagrave, 1893 |
Propiedad artistica musical |
Serralde, E. O. |
Serralde, 1933 6 |
Sinfonia y ballet |
Salazar, A. |
Mundo latino, 1929 |
Tres defensas musicales |
Barbacci, R. |
Mozart, 1945 |
Teoricos y musicos |
Villar, R. |
Fontana, 1920 |
La musica y sus representantes |
Rubisntein, A. |
Not specf., 1941 |
La musica razonada |
Cordero, J.N. |
Economica, 1900 |
Piu animato |
Palomar, C. |
Letras, 1965 |
Primer congreso nacional de musica |
|
T.G.N., 1928 |
Nuevo sistema teorico grafico de la musica |
Menchaca, A. |
La plata, 1904 |
Perfiles y recuerdos |
Saint-Saens, C. |
S.G.P., no year |
Dicen los musicos... |
|
S.G.P., no year |
Musical studies |
Hueffer, F. |
Charles black, 1880 |
Musiciens d'hier et d'aujoud'hui |
Jullien, A. |
Fischbacher, 1910 |
Dogmes musicaux |
Hure, J. |
Fischbacher, 1909 |
De musica |
Villar. A. |
Rodriguez, 1917 |
Hector Berlioz |
Noufflard, G. |
Fischbacher, 1885 |
A thing or two about music |
Slonimsky, N. |
Allen, 1948 |
Les instruments de musique de l'inde ancienne |
Marcel-Dubois, C. |
P.U.F., 1941 |
Ravi Shankar: my music, my life |
Shankar, R. |
Shuster, 1968 |
Musica del l'hindustan |
Checcacci, G.F. |
Bocca, 1908 |
Die indishe musik der vedischen und der klassishen zeit |
Felber, E. |
Holder, 1912 |
Sinhalese folk songs |
Amarasinhna, S. |
Amarashina, 1944 |
The music of india |
Fyzee-Rahamin, A.B. |
Luzac, 1925 |
A handbook on staff notation for indian music |
Boatwright, H. |
Bhavan, 1960 |
The ragas of karnatic music |
Ramachandran, N.S. |
Madras, 1938 |
Northern indian music |
Danielou, A. |
Bharati, 1949 |
Ragas and raginis |
Gangoli, O.C. |
Nalanda, 1948 |
Folk dances of south india |
Spren, H. |
Oxford, 1948 |
Manipuri dances |
Dayal, L.R. |
Oxford, 1951 |
Sangit of india |
Begum, A. |
Bombay, 1942 |
The music of hindostan |
Strangways, F. |
Oxford, 1914 |
Hindu music and rhythm |
Shirali, V. |
Shirali, V., 1936 |
A dictionary of south indian music and musicians |
Sambamoorthy, P. |
I.M.P.H., 1952 |
Le Gitalamkara |
Danielou, A. & Bhatt, N.R. |
I.F.I., 1959 |
Northern indian music |
Danielou, A. |
Unesco, 1954 |
Annals of the Bhandarkar oriental Research institute, 1939 |
Gajendragadkar, A.B. |
Poona, 1939 |
Rhythmic proportions in early medieval ecclesiastical chant |
Vollaerts, J.W.A. |
Brill, 1958 |
The anthropology of music |
Merriam, A.P. |
Northwest, 1964 |
Sangit Bhava, II |
Vijayadevji, M. |
Taraporevala, 1939 |
A history of musical style |
Crocker, R.L. |
McGraw Hill, 1966 |
Landowska on music |
Landowska, W. |
Stain and day, 1964 |
Memoirs of Hector Berlioz |
Berlioz, H. |
Tudor, 1932 |
A handbook of musical history |
Matthew, J. |
Grevel, 1898 |
The lost tradition in music |
Rotschild, F. |
Charles black, 1953 |
Ars nova and the renaissance |
Hughes, D.A. & Abraham, G. |
Oxford, 1960 |
Twelve Hinoo airs |
|
not specf. |
The mus. and musical instr. of southern india and the deccan |
Day, C.R. |
Novello, 1891 |
The interpretation of Bach's keyboard works |
Bodky, E. |
Harvard, 1960 |
Histoire de la musique |
Pirro, A. |
Laurens, 1940 |
The simbolism of music |
Bolinger, D. |
Antioch, 1941 |
Histoire de la langue musicale, I |
Emmanuel, M. |
Laurens, 1951 |
Histoire de la langue musicale, II |
Emanuel, M. |
Laurens, 1951 |
Curiosites musicales |
Deldeves, E.M.E. |
Didot, 1873 |
The fine art of light color playing |
Greenewalt, M.A. |
Westbrook, 1946 |
Musicology |
Harrison, F.LL. et al |
Prentice-hall, 1963 |
The quartets of beethoven |
Mason, D,G, |
Oxford, 1947 |
Grove's dictionary of music and musicians, 3th edit., 5 vols |
Colles, H.C., edit. |
Macmillan, 1947 |
The new oxford dictionary of music |
Hughes, D.A., edit. |
Oxford, 1960 |
Conversations around the pacific ring |
Reynolds, R. edit. |
UCSD, 1987 |
Musica y teoria de grupos finitos |
Estrada, J. & Gil, J. |
UNAM, 1984 |
La musica de mexico, 11 vols. |
Estrada, J., edit. |
UNAM, 1984 |
Form in primitive music |
Roberts, H.H. |
Norton, 1933 |
Abhandlungen zur vergleichenden musikwissenschaft |
Stumpf, C. et al |
Drei masken, 1922 |
Strukturprobleme in primitiver musik |
Heinitz, W. |
Friedenerischen, 1931 |
Music in primitive culture |
Nettl, B. |
Harvard, 1956 |
Primitive song |
Bowra, C.M. |
Nicolson, 1962 |
Primitive music |
Wallaschek, R. |
Longmans, 1893 |
Anfange der tonkunst |
Wallaschek, R. |
Ambrosius, 1903 |
The music of the mongols |
Hedin, S. edit. |
Stockolm, 1943 |
Music in flores |
Kunst, J. |
Brill, 1942 |
Die musik der aussereuropisschen natur-und kulturvolker |
Lachmann, R. |
Wildpark, 1929 |
Handbuch der musikwissenschaft |
Henitzm W. et al |
Wildpark, 1929 |
Internationales archiv fur ethnographie |
Boas, F. et al |
Brill, 1939 |
Bali |
Hiss, P.H. |
Duell, 1941 |
Journal of the royal antropological institute |
|
R.A.I., 1932 |
80 chant et poemes mongols |
Torhout, N. de |
Geuther, 1937 |
A history of bizantine musioc and hymnography |
Wellesz, E. |
Oxford, 1949 |
Africa and indonesia |
Jones, A.M. |
Brill, 1964 |
TRhe music of the sumerians |
Galpin, F.W. |
Cambridge, 1937 |
The history of music |
Chappell, W. |
Chappell, no year |
The musical workshop |
Dorian, F. |
Harper, 1947 |
The works of Friedrich Nietzsche |
Titlle, A. edit. |
Macmillan, 1896 |
Composicion musica (form in music) |
Riemman, H. |
Labor, 1929 |
Fascinacion de la musica |
Kahan, S. |
Independencia, 1964 |
The technique of choral composition |
Davison, A.T. |
Harvard, 1945 |
Elson's music dictionary |
Elson, L.C. |
Ditson, 1945 |
The house that music build |
Peyser, B. |
McBride, 1936 |
Old time music |
Brooks, H.M. |
Ticknor, 1888 |
The music lover's hand book |
Siegmeister, E. edit. |
Morrow, 1943 |
Music from inside out |
Rorem, N. |
Braziller, 1967 |
Musica y creacion musical |
Viu, V.S. |
Taurus, 1966 |
Complete encuclopaedia of music |
Moore, J.W. |
Ditson, 1854 |
Vom wesen der musik |
Scherchen, H. |
Mondial, no year |
Ethnomusichology |
Kunst, K. |
Nijhoff, 1959 |
The folk music of the western emisphere |
Mattfeld, J. comp. |
N.Y. 1925 |
Studien zur arabischen musik |
Berner, A. |
Kistner, 1937 |
Ancient arabien musical instruments |
Al-Mufaddal |
Civic, 1938 |
Turkisch instruments of music in the 17th century |
Nama, S. |
Civic, 1937 |
Corpus de la musique marocaine |
Ricard, M.P. |
Heugel, 1933 |
Sa'adyah Gaon on the influence of music |
Farmer, H.G. |
Rusell, 1943 |
Music: the priceless jewel |
Rabbihi, I.A. |
Bearsden, 1942 |
Les instruments de musique de madagascar |
Sachs, C. |
I.E., 1938 |
Corpus de musique marocaine |
Ricard, M.P. |
Menestrel, 1931 |
Melodies tunisiennes |
D'erlanger, B.R. |
Geuthier, 1937 |
Die musik der araber |
Kiesewetter, R.G. |
Breitkopf, 1842 |
African music: numbers 1,2,3 and 4 (journal) |
|
S.M.A., 1954 |
African music society: num. 2,3,4,5,6 (journal) |
|
A.M.S., 1949 |
Die musikinstrumente des alten orients |
Wegner, M. |
Aschendorffseche, 1950 |
La geographie musicale |
Gironcourt, G.de |
Andre, 1932 |
National anthemes of the world |
Shaw, M. & Coleman, H. |
Pitman, 1960 |
Netherlands east indies |
|
L.C., 1945 |
Folk music |
|
L.C., 1958 |
Historical facts for the arabian musical influence |
Farmer, H.G. |
Reeves, no year |
La musique arabe |
Daniel, F.S. |
Jourdan, 1879 |
Tableau de la musique maroccaine |
Chottin, A. |
Geuthner, 1938 |
The persian doctrine of dastga composition |
Gerson-Kiwi, E. |
I.M.I., 1963 |
The voice of atlas |
Thornton, Ph. |
Macmillan, 1936 |
Arab music and musical instruments |
Salvador-Daniel, F. |
Reeves, 1914 |
History of arabian music |
Farmer, H.G. |
Luzac, 1929 |
The structure of tha arabian and persian lute in the m.ages |
Farmer, H.G. |
R.A.S., 1939 |
Music: the priceless jewel |
Farmer, H.G. |
R.A.S., 1941 |
The music of the arabian nights (2 copies) |
Farmer, H.G. |
R.A.S., 1945 |
The open court, 229, vol 48 |
|
O.C.P.C., 1934 |
Conference sur la musique arabe |
Corcellet, L. |
Alger, 1928 |
La musique arabe Vol's I, II, III, IV and V. |
D'erlanger, R. |
Geuthner, 1949 |
Fundamentals of music |
Roothman, H. |
London, 1925 |
Essays on studies of folk-songs |
Martinengo-Cesaresco E. |
Redway, 1935 |
An introduction to the study of national music |
Engel, C. |
Longmans, 1916 |
Composer and nation |
Finkelstein, S. |
I.P., 1960 |
National anthems |
Nettl, P. |
Storm, 1952 |
La musica y las naciones |
Jean-aubry, G. |
Argos, 1946 |
National music of the world |
Chorley, H.G. |
Reeves, 1911 |
A new system of notation |
Ghosh, N. |
Ghosh, 1968 |
Music of the whole earth |
Reck, D. |
Scribner's, 1977 |
The music of africa |
Nketia, J.H.K. |
Norton, 1974 |
El son mexicano |
Stanford, T. |
SEP, 1984 |
Danzas y bailes regionales de mexico Vol. I |
Garcia, B.D. |
Garcia, 1966 |
Musicos mexicanos |
De Grial, H. |
Diana, 1965 |
Cantos indigenas de mexico |
Michel, Concha, edit. |
INI, 1951 |
El corrido mexicano |
Castaneda, D. |
Surco, 1943 |
Horizaontes de la musica precortesiana |
Catellanos, Pablo |
FCE, 1970 |
Popular music in mexico |
Geikerstam, Claes af |
New mexico, 1976 |
El jarabe |
Saldivar, G. |
TGN, 1937 |
Danzas mexicanas autenticas |
|
SEP, 1937 |
Musica y danza (mexico) |
Amezquita, B.F. |
Amezquita, 1943 |
Ritmos indigenas de mexico |
Campobello, N. & Campobello G. |
Campobello, 1940 |
Mexican music |
Wienstock, H. |
Modern art, 1940 |
Historia de la musica en mexico |
Saldivar, G. |
SEP, 1934 |
La musica en Zacatecas y los musicos zacatecanos |
Romero, J.C. |
UNAM, 1963 |
Ancient hawaiian music |
Roberts, H.H. |
Bishop museum, 1926 |
Philippine national dances |
|
Tolentino, F.R. |
Siamese music |
Duriyanga, P.Ch. |
D.F.A., no year |
Native music of the tuamotus |
Burrows, E.G. |
Bishop museum, 1933 |
Studies in oriental music intruments |
Farmer, H.G. |
Civic, 1939 |
Musica de oriente |
Lachmann, R. |
Labor, 1931 |
Koreanische musik |
Eckardt, A. |
D.G.N.V., 1930 |
Ethnology of futuna |
Burrows, E.G. |
Bishop museum, 1936 |
Ethnology of tokelau islands |
Macgregor, G. |
Bishop museum, 1937 |
Ethnology of tubuai |
Bayard, D., edit. |
Bishop museum, 1930 |
Ancient Tahiti |
Henry, T. |
Bishop museum, 1928 |
The music of the ryukyus |
Yamanouchi, S. |
Yamanouchi, 1950 |
Thai musical instruments |
Yupho, D. |
1960 |
Die musikinstrumente birmas und assams |
Sachs, C. |
Bayerischen, 1917 |
Musique annamite |
Le Bris, E. |
Not specf. |
Arts and crafts of the cook islands |
Hiroa, T.R. |
Bishop museum, 1944 |
Patet in javanese music |
Hood, M. |
Wolters, 1954 |
Music in java, I, II |
Kunst, J. |
Nijhoff, 1949 |
De toonkunst van bali |
Kunst, J. |
Weltevreden, 1925 |
Theatre & danses aus indes neerlandaises |
Holt, C. |
Maisonnueve, 1939 |
DANCE IN BALI, in Dance index |
Mcphee, C. |
Dance index, 1948 |
Die musikinstrumente iondiens und indonesiens |
Sachs, C. |
Gryter, 1923 |
Een en ander over den javaanschen gamelan |
Kunst, J. |
Amsterdam, 1945 |
Enn en ander over de javaansche wajang |
Kunst, J. |
Amsterdam, 1945 |
Musiek en dans in de buitegewsten |
Kunst, J. |
Brill, 1946 |
De inheemse musiek en de zending |
Kunst J. |
Uitgave, 1947 |
The cultural background of indonesian music |
Kunst, J. |
Uitgave, 1949 |
Dance quest in celebes |
Holt, C. |
A.I.D., 1939 |
La danse et le theatre javanais |
Lelyveld, S. |
Floury, 1931 |
A club of small men |
Mcphee, C. |
Jhon day, 1948 |
A house in bali |
Mcphee, C. |
Jhon day, 1946 |
Para musica vamos! |
Mitjana, R. |
Sempere, 1909 |
Musica popular en espana |
Chavarri, E.L. |
Chavarri, no year |
Por nuestra musica |
Pedrell, F. |
Comandita, 1891 |
El sentimiento nacional en la musica espanola |
Villar, R. |
Mateu, no year |
De musica vasca |
Donostia, J.A. de |
Ekin, 1943 |
Cancionero musical |
Torner, E.M., edit |
Escuela, 1928 |
Musicalerias |
Pedrell, F. |
Sempere, 1902 |
The music of spain |
Vechten, C. van |
Kegan, 1920 |
Escritos sobre musica y musicos |
Falla, M. de |
Espasa, 1950 |
Organografia musical espanola |
Pedrell, F. |
Gili, 1901 |
Les escoles populars de musica |
Chavarri, E.L. |
Barcelona, 1906 |
La musica de la jota aragonesa |
Tarrago, J.R. y |
Madrid, 1928 |
Diez anos de musica en espana |
Diego, G, et al |
Espasa, 1949 |
Estetica y critica musical |
Uriarte, Eustoqio de |
Gili. 1904 |
Himne a l'estatut valencia |
Alonso, M. |
Piles, no year |
El madrid de los recuerdos |
Sepulveda, E. |
Madrid, 1897 |
Lo popular y lo culto en la musica espanola |
Forns, J. |
Madrid, 1946 |
La musica espanola (middle ages until 40s) |
Angles, H. |
Biblioteca central, 1941 |
Battle-songs of the international brigades |
|
Madrid, 1937 |
La musica en la obra de cervantes |
Gavalda, M.Q. |
Comtalia, 1948 |
El quijote en la musica |
Espinos, V. |
Barcelona, 1947 |
La musica a catalunya fins al segle XIII |
Angles, H. |
I.D.C., 1935 |
Tempo notatioon in renaissance spain |
Jacobs, Ch. |
I.M.M., 1964 |
Contribucion al estudio de la musica portugesa y espanola |
Kastner, S. |
Liboa, 1941 |
Manuel de falla and spanish music |
Trend, J.B. |
Knopf, 1934 |
Mundo y formas del arte flamenco |
Molina, R. et al |
Rev. de Occ., 1963 |
The art of flamenco |
Pohren, D.E. |
Jerez, 1962 |
Teoria de cante jondo |
Rossy, H. |
Panoramas, 1966 |
Manuel de falla y el cante jondo |
Fajardo, E.M. |
Granada, 1962 |
Deep song (flamenco) |
Brown, I. |
Harper, 1929 |
La musica: poema |
Yriarte, D.T. |
Imprenta real, 1784 |
Rostros del nacionalismo en la musica mexicana |
Moreno, R. |
FCE, 1989 |
Musical notations of the orient |
Kaufmann, W. |
Indiana, 1967 |
The music and musical instruments of japan |
Piggot, F.T. |
Batsford, 1909 |
Drums in the americas |
Howard, J.H. |
Oak, 1967 |
Japanese music and musical instruments |
Malm, W.P. |
Tuttle, 1959 |
The rhythmical patterns in gagaku an bugaku |
Harisch-Scneider, E. |
Brill, 1954 |
Min-yo: folk song of japan |
Matsubara, I. |
Cosmo, 1946 |
Unknow (in chinesse?) |
Unknow |
Unknow |
Japanese music |
Tanabe, I. |
Bunka, 1936 |
The lore of the chinese lute |
Gulik, R.H. van |
Sophia, 1940 |
Oriental poetry and music |
Pocock, E. |
Hamilton, 1838 |
La musique en chine |
Soulie, G. |
Leroux, 1911 |
Some aspects of chinese music |
Green, G.P. |
Reeves, no year |
La musica china |
Laloy, L. |
Alba, no year |
The character and function of music in chinese culture |
Wiant, B. |
Pebody, 1946 |
The music of the ch'utan miao |
Agnew, R.G. |
Border, 1939 |
The chinese theater music for the organ |
not specf. |
Unknow (chinese) |
Music and musical instruments of shang |
Gibson, H.E. |
R.A.S., 1937 |
The music of china |
Kinsmill, T.W. |
R.A.S., 1910 |
Chinese musical instruments |
Moule, B.A. |
R.A.S., 1908 |
Chnese music |
Richard, T. |
Mission press, 1930 |
Insects musicians and cricket champions of china |
Laufer, B. |
Field, 1927 |
La chanson populaire chinoise |
Hsiao, Sh. |
Sinologia, 1947 |
A list of musical & sound prod. instr. of the chinese |
Moule, A.C. |
Trinty college, no year |
Theatre et musique moderne en chine |
Gailhard, A. |
Jacob, 1926 |
Festivals and songs of ancient china |
Granet, M. |
Dutton, 1932 |
La cancion andaluza |
Larrea palacin, A. de |
Jerez, 1961 |
Mei lan fang |
Moy, E.K., edit |
Ch.I.A., no year |
Los 6 libros del delphin de mus. de cifra p/taner vihuela |
de Narvaez, Luys |
Barcelona, 1945 |
La musica en la corte de carlos V |
Angles, H. |
Barcelona, 1944 |
La musica en la corte de los reyes catolicos, I, II |
Angles, H. |
Barcelona, 1947 |
Cancionero musical de galicia, I, II |
Valverde, J.F. |
Pontevedera, 1942 |
Cancionero musical espanol (XV and XVI centuries) |
Barbieri, F.A. |
Schapire, 1945 |
Musica hispanica |
Kastner, S. |
Atica, 1936 |
Cancionero musical popular espanol, I,II,III,IV |
Pedrell, F. |
Boileau, no year |
Cancionero popular de la provincia de madrid, I, II |
Schneider, M. et al |
Barcelona, 1951 |
A musica em portugal |
Branco, L. de F. |
1929 |
Folk music and poetry of spain and portugal c |
Schindler, K. |
Hispanic, 1941 |
Clasicos espanoles de la musica |
|
A.P.E., 1939 |
Clasicos espanoles de la musica |
|
A.P.E., 1939 |
El canto mozarabe |
Rojo, C, & Prado, G. |
D.P.B., 1929 |
Folclore de burgos |
Olmeda, F. |
Maria auxiliadora, 1903 |
Music in ancient arabia and spain |
Ribera, J. |
Oxford, 1929 |
Spanish music in the age of columbus |
Stevenson, R. |
Nijhoff, 1960 |
Studies in african music, I |
Jones, A.M. |
Oxford, 1959 |
Drumming in akan communities of ghana |
Nketia, J.H. |
Ghana, 1963 |
African music |
Thieme, D.L. |
L. of C., 1964 |
African music in Ghana |
Nketia, J.H.K. |
Northwest, 1963 |
African native music |
Varley, D.H. |
R.E.S.B., 1936 |
Chopi musicians |
Tracey, H. |
I.A.I., 1948 |
Yoruba music |
Phillips, E. |
A.M.S., 1953 |
African negro music |
Hornbostel, E.M. |
Oxford, no year |
Africa, No. 2,3 |
Westermann, D. edit. |
Oxford, 1933 |
The gora and its bantu sucessors |
Kirby, P.R. |
Bantu studies, 1931 |
A north african folk instrument |
Farmer, H.G. |
R.A.S., 1928 |
The musical instruments of the native races of south afr. |
Kirby, P.R. |
Oxford, 1934 |
African music from the source of the nile |
Kyagambiddwa, J. |
Praeger, 1955 |
Le kissi (music instruments and society) |
Schaeffner, A. |
Hermann,1951 |
Les instrumens de musique au bas congo... |
Soderberg, B. |
Stockolm, 1956 |
Tribal crafts of uganda |
Trowell, M. |
Oxford, 1953 |
Musica negra (tonga folklore) |
Marques, B. |
A.G.C., 1943 |
Songs and tales from the dark continent |
Simango, C.K. et al |
Schrimer, 1920 |
The reed-flute ensembles of south africa |
Kirby, P.R. |
R.A.I.G.B., 1933 |
The GOURA, a stringed-wind musical instrument |
Balfour, H. |
A.I.G.B., 1902 |
NGOMA (South african music) |
Tracey, H. |
Longmans, 1948 |
Tribal music and dancing in the southern sudan |
Tucker, A.N. |
Reeves, no year |
The music of central africa |
Brandel, R. |
Nijhoff, 1961 |
Africa dances (west africa) |
Gorer, G. |
Knopf, 1935 |
Specimens of bantu folk-lore |
Torrend, J. |
Kegan, 1921 |
The talking drums of africa |
Carrington, J.F. |
Kingsgate, 1949 |
Musique negre |
Stephen-Chauvet |
Paris, 1929 |
Les cordophones du congo belgue et du ruanda-urundi 2 copies |
Laurenty, J.S. |
Tervuren, 1960 |
Musique centr-africaine |
Pepper, H. |
Paris, no year |
Estudies in african music |
Jones, A.M. |
Oxford, 1959 |
The music of czechoslovakia |
Newmarch, R. |
Oxford, 1943 |
Some aspect of gipsy music |
Parker, D.C. |
Reeves, no year |
Die ungarische musik |
Kodali, S. et al |
Danubia, 1943 |
Armenian folk songs |
Poladian, S. |
Caligornia, 1942 |
La musique populaire bulgare (rythme et mesure) 2 copies |
Djoudjeff, S. |
Champion, 1931 |
Hungarian folk music |
Bartok, B. |
Oxford, 1931 |
Folk music of hungary |
Kodaly, Z. |
Rockliff, 1960 |
Bugarian-macedonian folk music |
Kremenliev, B.A. |
California, 1952 |
Serbo-croatian folk songs |
Bartok, B. et al |
Columbia, 1951 |
Corpus musicae popularis hungaricae, I,II,II,IV,V |
Bartok, B. & Kodali Z. |
Kiado, 1953 |
Jewish music |
Idelsohn, A.Z. |
Tudor, 1948 |
The music of israel |
Gradenwitz, P. |
Noprton, 1949 |
Gesange der persishen, bucharischen u. daghetanischen juden |
Idelshon, A.Z. |
Harz, 1922 |
Gesange der orientalischen sefaradim |
idelshon, A.Z. |
Harz, 1923 |
Gesange der jemenischen juden |
Idelshon, A.Z. |
Breitkopf, 1914 |
Hebraischeorientalischer melodienschatzII,V,VI,VIII,IX,X,XII |
Idelshon. A.Z. |
Harz, 1922 |
Primer album de musica indigena |
Ponce, M.M. |
D.A.I., 1940 |
Album musical de michoacan |
Dominguez, F. |
Morelia, 1941 |
Gramophone records of african music |
Tracey, H., edit. |
Gallo, 1951 |
Primer album de composiciones de promotores y maestros de |
|
Mexico, 1940 |
Sones, canciones y corridos michoacanos |
Domingez, F., edit. |
Mexico, no year |
Sones islenos del lago de patzcuaro |
Juarez, N.B. |
D.A.A.P., 1937 |
The new jazz book |
Berendt, J. |
Wang, 1962 |
The story of jazz |
Stearms, M.W. |
Oxford, 1956 |
The modern jazzmen |
James, M. |
Casell, 1960 |
A history of Jazz in america |
Ulanov, B. |
Viking, 1952 |
The jazz scene |
Newton, F. |
Monthly review, 1960 |
Estetica del jazz |
Ortiz Rodrigo, N.R. |
Ricordi, 1941 |
Blues feel this morning |
Oliver, P. |
Casell, 1960 |
The collector's jazz |
Wilson, J.S. |
Keystone, 1958 |
Jazz |
Harris, R. |
Pelican, 1957 |
Jazz panorama |
Williams, M.T., edit. |
Crowell, 1962 |
Music on my mind |
Wilie the lion smith |
Doubleday, 1964 |
Such sweet thunder |
Balliet, W. |
Merril, 1966 |
Jazz |
Wilson. J.S. |
Appleton, 1966 |
Blues people |
Jones, L. |
Morow, 1963 |
The beatles |
Davies, H. |
Heinemann, 1968 |
Toward jazz |
Hodeir, A. |
Grove, 1962 |
La musica de jazz y el swing |
Panassie, H |
Alguero, 1946 |
Defensa de la musica de jazz |
Araque, L |
Alguero, 1946 |
Kings jazz and david |
Schwerke, I |
Modernes, 1927 |
Introduction a la musique de jazz |
Hodeir, A. |
Larousse, 1948 |
Louis Armstrong |
Gofin, R. et al |
seghers, 1947 |
Apologie du jazz |
Bernahard, E. et al |
Belguique, 1945 |
Modern jazz |
Morgan,. A. et al |
Gollancz, 1957 |
Dinosaurus in the morning |
Balliet, W. |
Lippincott, 1962 |
Jazz and the whites americans |
Leonard, N. |
Chicago, 1962 |
Early jazz |
Schuller, G. |
Oxford, 1968 |
Jazz tradition and innovation in the 80's. (2 copies) |
Giddings, G. et al |
Oxford, 1986 |
Variacions sobre el jazz |
Coll, J. |
Guadarrama, 1971 |
The art of ragtime |
Schafer, Wl.J. |
Lousiana, 1973 |
The new sound yes! |
Peck, I., edit. |
Four winds, 1966 |
Bibliography of latin american folklore |
Boggs, R.S. |
Wilson, 1940 |
Jazz: a history |
Tirro, F. |
Duke, 1977 |
Jazz: from congo to swing |
Goffin, R. |
Musicians, 1946 |
Hear me talkin' to ya |
Shapiro, N., edit. |
Peter davies, 1955 |
Jazz, hot and hybrid |
Sargeant, W. |
Arrow, 1938 |
We called music |
Condon, E. |
Holt, 1947 |
Frotiers of jazz |
Toledano, R. de |
Durrel, 1947 |
Just jazz |
Traill, S. |
Landsborough, 1959 |
The art of jazz |
Williams. M.T. |
Oxford, 1959 |
Jam session |
Glason, R.J. |
Putnam's, 1958 |
Jazz |
Hentoff, N., edit. |
Reinhart, 1958 |
Jazz: a people's music |
Kinkelstein, S. |
Citadel, 1948 |
American jazz music |
Hobson, W. |
Norton, 1939 |
Esquire's 1946 jazz book |
Miller, P.E., edit. |
Barnes, 1946 |
La veritable musique de jazz |
Panassie, H. |
Laffont, 1945 |
The jazz word |
Cerulli, D. et al |
Ballantine, 1960 |
The book of jazz |
Feather, L. |
Meridian, 1957 |
Panorama de la musica afroamericana |
Oderiego, N.R.O. |
Claridad, 1944 |
Panorama de la musica popular argentina |
Vega, C. |
Losada, 1944 |
Historia del tango |
Bates, H. et al |
Bates, 1936 |
Musique de l'amerique |
Chase, G. |
Chastel, 1955 |
Musical and other instruments of the south american indians |
Izikowitz, K.G. |
Kerber, 1935 |
Formas musicales rioplatenses |
Wilkes, J.T., et al |
Hispanicos, 1946 |
Instrumentos musicales de los afrocubanos |
Castellanos I. |
Habana, 1927 |
La "clave" Xilofonica de la musica cubana |
Ortiz, F. |
Habana, 1935 |
Los instrumentos de la musica afrocubana I, II, III, IV, V |
Ortiz, F. |
Habana, 1952 |
La africania de la musica folklorica de cuba |
Ortiz, F. |
Habana, 1950 |
Los bailes y el teatro de los negros (Cuba) |
Ortiz, F. |
Habana, 1951 |
The sound of the surprise |
Balliet, W. |
Dutton, 1959 |
Hommes et problemes du jazz |
Hodeir, A. |
Flammarion, 1954 |
The collector's jazz modern |
Wilson, J. |
Keystone, 1959 |
Satchmo |
Armstrong, L. |
Davies, 1955 |
Living music of the americas |
Saminsky, L. |
Howell, 1949 |
That crazy american music |
Paulo, E. |
Merril, 1957 |
The jazz life |
Hentof, N. |
Dial press, 1961 |
So, this is Jazz |
Osogood, H.O. |
Brown, 1926 |
Slave song of the U.S. |
Allen, Wm.F. et al |
Smith, 1951 |
Inside Be bop |
Feather, L. |
Robbins, 1949 |
The heart of Jazz |
Grossman, Wm.L. |
New York, 1956 |
Neghro folk music USA |
Courlander, H. |
Columbia, 1963 |
Shining trumnpets (jazz history) |
Blesh, R. |
Knopf, 1946 |
La musica de america latina |
Sloinimsky, N. |
El ateneo, 1947 |
Jamaiocan song and story |
Jekyll, W., edit. |
Nutt, 1907 |
Panorama de la musica popular brasileira, I, II. |
Vasconcelos, A. |
10 |
Aspectos da musica brasileira |
De Andrade, M. |
Martins, 1965 |
Musica popular brasileira |
Alvarenga, O. |
FCE, 1947 |
Isles of rhythm |
Leaf, E. |
Barnes, 1948 |
Anthologie du folklore haitien |
Bastien, R. |
Mars, 1946 |
National music opf america |
Elson, L.C. |
Page, 1900 |
Anales: IIE/UNAM, Vol I, Tomo I. |
|
IIE/UNAM, 1937 |
Los instrumentos musicales de la argentina |
Vega, C. |
Centurion, 1946 |
Haiti singing |
Courlander, H. |
Chapel Hill, 1939 |
Panorama de la music hispanoamericana |
Mayer-Serra, O. |
Not specf. |
Calypso song book |
Attaway, Wm. |
McGraw, 1957 |
Some drums and drum rhthms of Jamaica |
Roberts, H.H. |
Natural History, 1924 |
Music and musicians of dominican republic |
Coopersmith, J.M. |
P.A.U., 1949 |
Romances y coprridos nicaraguenses |
Mejia, S.E. |
Universitaria, 1946 |
Historia de la musica en Colombia |
Perdomo, J.I. |
B.P.C.C., 1945 |
La musica en santo domingo y otros ensayos |
De nolasco, F. |
Montalvo, 1939 |
Historia de la musica latinoamericana |
Garcia. R.V. et al |
Perlado, 1938 |
Cronicas y perfiles musicales |
Lovelace, M. de J. |
Montalvo, 1939 |
Dictionary of popular music |
Gammond, P. et al |
Philosophical, 1961 |
Jazz in perspective |
Lang, I. |
Hutchinson, no year |
The appeal of jazz |
Mendl, R.W.S. |
Allan, 1928 |
Musica del brasil |
Andrade, M. de |
Kier, 1930 |
The story of the jubilee singers |
Marsch, J.B.L., edit. |
Hodder, 1877 |
Early jazz |
Schuller, G. |
Oxford, 1968 |
The anatomy of jazz |
Ostransky, L. |
Washington, 1960 |
Mister jelly roll (jazz history) |
Lomax, A. |
Duell, 1950 |
The country blues |
Charters, S. |
Rinehart, 1959 |
Phonophotography in folk music |
Metsfeld, M. |
Carolina, 1928 |
Jazz: a history of the New York scene |
Charters, S.B. et al |
Doubleday, 1962 |
The negro and his songs |
Odum, H.W. |
North carolina, 1925 |
Tin pan alley (U.S.'s folk music) |
Goldberg, I. |
Jhon Day, 1930 |
Been here and gone (negro singing and music) |
Ramsey, F. |
New jersey, 1960 |
Treat it gentle |
Bechet, S. |
Hill and wang, 1980 |
The jazz titans |
Reisner, R.G. |
Doubleday, 1960 |
Composing for the jazz orchestra |
Russo, W. |
Chicago, 1961 |
A jazz lexicon |
Gold, R.S. |
Knopf, 1964 |
Year book of swing |
Miller, P.E. |
Down beat, 1939 |
Musica y musicos de latinoamerica I, II |
Mayer-Serra, O. |
Atlante, 1947 |
La music des incas |
d'Harcourt, R.et M. |
Orientaliste, 1925 |
The drum and the hoe |
Courlander, H. |
California, 1960 |
Ensayos sobre arte en venezuela |
de la Plaza, R. |
caracas, 1883 |
Boletin Latinoamericano de musica (1938,41,46) |
|
Brasil, 1946 |
Echoes of africa in folk song of the americas |
Landeck, B. |
Mckay, 1961 |
They all played ragtime |
Blesh, R. & Janis, H. |
Knopf, 1950 |
El folclor musical de la ciudades |
Campos, R.M. |
SEP, 1930 |
Jazz ways |
Rosenthal, G.S., edit. |
Greenberg, 1946 |
Folksongs of north america |
Lomax, A. |
Doubleday, 1960 |
Northern ute music |
Densmore, F. |
Washington, 1922 |
Papago music |
Densmore, F. |
Washington, 1929 |
Mandan and udatsa music |
Densmore, F. |
Washignton, 1923 |
Yuman and Yaki music |
Densmore, F. |
Washignton, 1932 |
Menominee music |
Densmore, F, |
Washignton, 1932 |
Pawnee music |
Densmore. F. |
Washignton, 1929 |
Chippewa music I,II |
Densmore, F. |
Washignton, 1913 |
Teton sioux music |
Densmore, F. |
Washignton, 1918 |
The choctow of bayou lacomb st. tammany parish, lousiana |
Bushnell, D.J. |
Washignton, 1909 |
Unwritten literature of hawaii |
Emerson, N.B. |
Washignton, 1919 |
Indians of the urban northwest |
Smith, M.W. |
Columbia, 1949 |
Iapy tokahan |
Williamson, J.P., edit. |
not specf. |
La m. chez les peuples indig. de l'amerique du nord |
Tiersot, J. |
not specf. |
Choctaw music |
Densmore, F. |
Smithsonian, 1943 |
Music of the indians of british columbia |
Densmore, F. |
Smithsonian, 1943 |
The musical instruments of the incas |
Mead, Ch.W. |
A.M.N.H., 1903 |
Omaha indian music |
Fletcher, A.C. |
cambridge, 1893 |
Uber die musik der nordamerikanioschen wilden |
Baker, T. |
Breitkopf, 1882 |
Songs of the totem |
Beery davis, C. |
Alaska, 1939 |
La musica indigena taurepan |
de Matallana, B. |
Venezuela, 1939 |
Peyote music |
McAlleser, D. |
N.Y., 1949 |
The american indians and their music |
Densmore, F. |
Womans, 1926 |
The encyclopedia of jazz |
Feather, L. |
Horizon, 1955 |
Music and some highly musical people |
Trotter, J.M. |
Shepard, 1882 |
Jazz cavalcade |
Dexter, D. |
Criterion, 1946 |
The eskimo music |
Thuren H. & Thalbitzer, Wm. |
Copenhagen, 1911 |
La musica aborigen (manuscript) |
Unknow |
Not specf. |
Ceremonial songs of the creek and yuchi indians |
Speck, F.G. |
Philadelphia, 1911 |
Jazz: its evolution and essence |
Hodeir, A. |
Grove, 1956 |
America indigena |
|
I.I.I, 1949 |
Chinoisse music |
Aalst, J.A. van |
China, 1939 |
Der jazz |
Daurer, A.M. |
Roth, 1958 |
The book of american negro espirituals |
Weldon J.J. |
Viking, 1928 |
American negro songs and spirituals |
Work, J.W., edit. |
Bonanza, 1940 |
Jazz: a history |
Tirro, F. |
Norton, 1977 |
Popular cuban music |
Grenet |
Havana, 1934 |
The book of american negro sprirituals |
Jhonson, J.W. |
Viking, 1947 |
The book of the blues |
Shirley, K., edit. |
Leeds, 1963 |
50 years of popular pianoi techniques |
Stormen, W. |
Arco, 1961 |
Humos on american song |
Loesser, A. |
Howell, 1942 |
The lydian chromatic concept of tonal organization |
Rusell, G. |
Concept, 1959 |
The leeling of jazz |
Simon, G.T. |
Shuster, 1961 |
A treasury of the blues |
Handy, W.C., edit |
Boni, 1949 |
A bibliography on north american foclklore and folksong |
Haywood, Ch. |
Greenberg, 1951 |
The american songbag |
Sandburg, C. |
Harcourt, 1927 |
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